This was Mitchell’s first of many anonymous stories for the New York Sun, and although it contained a clever method of achieving unlimited speed, it had no time travel. But not to worry! Two of [Error: Missing '[/exn]' tag for wikilink]

Mad scientist Don Sindulfo and his best friend Benjamin take off in Sindulfo’s flying time machine along with Sindulfo’s niece, her maid, a troop of Spanish soldiers, and a bordelloful of French strumpets for madcap adventures at the 1860 Battle of Téouan, Queen Isabella’s Spain, nondescript locales in the eleventh and seventh centuries, 3rd-century China, the eruption of Mt. Vesuvius, and a biblical time shortly after the flood.

After taking a year of Spanish at the University of Colorado, I undertook a three-year project of translating Gaspar’s novel to English, which is available in a pdf file for your reading pleasure. Even with the unpleasant twist at the end, it was still a fine, farcical romp through history.

Now that we’re in the enlightened 21st century, every self-respecting reader is intimately familiar with all the early time travel classics. Anno 7603, Paris avant les hommes,[/em] “A Tale of the Ragged Mountains,” “The Clock That Went Backward,” El Anacronópete, The Time Machine, blah blah blah. But let’s be honest and call a Morlock a Morlock: All those old tales are tales of vacuous travelers through time, none of them giving a thought to contorted paradoxes, none wondering which lover they would get back (or get revenge on) if given the chance, none fretting about what might happen should they kill their younger self, and none having impure thoughts about sleeping with their mothers or the consequences of doing so. Yep, I’d always proudly boasted that it was my generation who discovered such sauciness.

And then I stumbled upon Jacques Rigaut’s century-old gem that managed all that and more in under 1,000 words more than a century ago.

After a century of being frozen solid, Howard Hillary is chopped from a mass of arctic ice and thawed out. Given that nobody ever tells him how long he’s been out of circulation, it’s unsurprising that he proceeds to set out to find his beloved Felice.

Normally, we don’t list long-sleep stories, given that they are not true time travel, but this one deserves a spot in the ITTDB, seeing as how it‘s the first long-sleep silent film. As a bonus, you’ll see Houdini doing his own stunts as the frozen man brought to life. The script was based on a story by Houdini.

One day at the end of the 19th century, newspaperman Larry Stevens is given the gift of tomorrow’s newspaper by the ghost of the archive man, Pops Benson. That leads him to improve his position at the newspaper by scooping a story, but it also leads to trouble, more of tomorrow’s papers, and a romance with the alluring clairvoyant Sylvia.

So why do I count this as time travel when, for example, The Gap in the Curtain is not? The future newspapers in Gap never actually appeared, and it felt as if they were mere visions of a possible future, whereas we had no doubt that Larry holds an actual copy of tomorrow’s paper in his hands. And besides, It Happened Tomorrow had a great take on how events may be fated and yet, when accompanied by charming misunderstandings, lead to the unexpected.

Early Edition, one of my favorite TV shows, uses the same idea of tomorrow’s paper, but its creators said that the show was not based on this movie.

When Jeff Martin floats downstream, he literally floats back in time. Now, if only those two pesky men would quit following him,

In the first of a long series of hallowed stories, former military engineer (and noncomformist) Manse Everard is recruited by the Time Patrol to prevent time travelers from making major changes to history. (Don’t worry, history bounces back from the small stuff.)

In the 1950s, a retired man in New York City speculates on a variety of cases of odd temporal occurrences such as the woman who realized that the old dog who persistently followed her in 1947 was actually the puppy she adopted several years later. And then there was the now famous case of Rudolph Fentz who seemingly popped into Times Square on an evening in the 1950s, apparently straight from 1876.

Every Casper cartoon had the same plot, including at least one (“Red, White and Boo”) from 1955 where Casper wonders whether people in the past will also be scared of him, so he uses a time machine to visit a caveman, Robert Fulton, Paul Revere, General Washington, and a Revolutionary War battle.

Young Frank Winston has everything a man could ever want, but for the past three months, he's been unable to move on in his ideal life because he’s haunted by dreams of a band of 18th-century Spanish soldiers who buried a treasure chest in the desert north of Mexico.

In a violent storm, the Golden Lion follows another ship, the Mary Ann, to a safe port.

Back in the 1880s, just after a man without conscience is dropped from a lone tree with a rope around his neck, a scientist pulls him into 20th-century New York City.

Serling wrote this script based on a George Clayton Johnson’s bare bones, present-tense treatment for a TV script, complete with an indication of where the commercial break should go. For this episode, Serling filled in the flesh and cut the fat from a bare bones, present-tense treatment by George Clayton Johnson. The treatment appeared in Johnson’s 1977 retrospective collection of scripts and stories, and in Volume 9 of Serling’s collected Twilight Zone scripts, Johnson commented that “Rod took my idea and went off to the races with it. He had a remarkable knowledge of what would and wouldn’t work on television, and he took everything that wouldn’t work out of ‘Execution’. He worked like a surgeon; a little snip here, a complete amputation over there, move this bone into place, graft over that one. When he was done, my little story had grown into a television script that lived and breathed on its own.” Serling also added a nice twist at the end that, for us, warranted the TV episode an Eloi Honorable Mention.
Rod Serling wrote this script based on a 1960 Twilight Zone episode of the same name, but I’m uncertain whether the story was published before Johnson’s 1977 retrospective collection.

On a snowy November evening during his train commute home from New York City, John Daly falls asleep and, perhaps in a dream, sees a simpler life with bands playing in the bandstand, people riding penny farthings through the park, and kids fishin’ at their fishin’ holes the 1888 summertime of idyllic Willoughby.

Civil War mythbuster Hiram White moves to a small Georgia town where the townspeople believe that Confederate ghosts still ride through the dusk.

An engineer in the 1960s slips back to the night of Lincoln’s assassination.

Before George Pal’s version of The Time Machine hit the silver screen, actual time machines were a rarity in film. But afterwards, even Moe, Larry, and Curly could throw one together in an afternoon to take them, their pal Schuyler, and their Lady friend Diane back to ancient Greece where, among other things, they restore Ulysses to the crown, kill a pair of conjoined Cyclopes, impersonate Hercules, and attract the wrath of the real Hercules.

Side note: The trio of stooges are also the first time travelers we’ve seen in film who fret over changing the course of history. Who woulda thunk?

Charlton’s Gorgo comic was inspired by the the 1961 movie of the same name Unlike the movie, however, the comic book Gorgo had one adventure in time when Dr. Hobart Howarth rescues Gorgo from YaPa* by sending the giant reptile back to the late Jurassic. Sadly, as a child, I bought only one Gorgo comic, which was not the time-travel issue, although that one issue I had was drawn by Steve Ditko, hooray!
* Yet another Pentagon attack

After barging into the space of the reclusive Melkotians, Kirk and his crew find themselves facing the Earps and Doc Holliday in a second-rate simulation of the 1881 gunfight at the O.K. Corral.

In the 1960s, a solicitor—Mr. Blunden—arranges for a widow and her children to move to an English house while the rightful heir is tracked down. The two children, Lucy and Jamie, soon meet two orphans, Sara and Georgie, who are living in the house—with their own version Mr. Blunden—exactly one century before! The orphans need help, so with the aid of a magic potion, Lucy and Jamie go back in time to the very day before the orphans will die in a fire (according to the gravestone that Lucy and Jamie found). They definitely have a fix-the-past mission, and they definitely succeed, but in the process, an amazing twist on the grandfather paradox arises (see the spoiler below).

The story has a kind of reverse grandfather paradox: [spoiler Lucy and Jamie’s great-great-grandparents are Sara and Tom (a boy who died trying to save Sara and George). So, initially, Lucy and Jamie actually have no grandparents (at least not on that side), and it’s only by Lucy and Jamie going back in time to save Sara and George (as well as Tom) that Sara and Tom live long enough to have offspring. So where did Lucy and Jamie come from initially in order to be able to go back in time and create the conditions so that they will be born? This is almost a single nonbranching, static timeline, except for the fact that initially, Sara, Georgie, and Tom did die (as evinced by what Lucy and Jamie see and hear in the graveyar), so Lucy and Jamie did change things. I think we need a new name for it, perhaps the grandchild paradox.[/spoiler]

Si goes back to 19th century New York to solve a crime and (of course) fall in love.

This is Janet’s favorite time-travel novel, in which Finney elaborates on themes that were set in earlier stories such as “Double Take.”

As in the The Ghosts, which formed the basis for the film, a mysterious Mr. Blunden arranges for a widow and her children to move to an old English house while the rightful heir to the house is tracked down. But in the film, young Lucy and Jamie are in 1918 rather than the 1960s, and the “ghost children” are from 1818 rather than the 1860s. Nevertheless, Lucy, Jamie, Sara, George, and Tom all have the same adventure in the past along with a cool Grandchild Paradox.

After waking an Egyptian pharaoh from a millennia-long sleep, Uncle Scrooge summons Donald and Gearloose, eventually realizing that they can restore the pharoah to his rightful throne via a trip to ancient Egypt in Gearloose’s not-quite-finished time machine. That doesn’t go quite as planned, and on the way home, they manage to turn the future into a money-mint-land or somnethin’?.

ABC-TV picked up this failed pilot (a proposed revival of The Time Tunnel) and aired it as a made-for-TV movie in which Dr. Clinton Earnshaw and his government-sent sidekick Jeff Adams venture back to 1871 to track down a cure for a modern-day epidemic.

The 2020 posthumous publication of this 1977 manscript shows us Heinlein’s first forey into the multiperson solipsism of semi-mad scientist Jake Burroughs, his beautiful daughter Deety, her strong love interest Zeb Carter, Hilda Corners and their time/dimension-traveling ship Gay Deceiver. In all, the earlier manuscript has three adventures that were significantly changed in his eventual 1980 publication of the work, retitled as The Number of the Beast:

1. In Pankera, the Mars Ten actually is Barsoom where the gang meets the Princess of Mars and others, while in Beast, Mars Ten is a relatively boring futuristic British Mars.
2. Pankera has a long adventure in the Lensman universe, while Beast has only a few pages.
3. Pankera’s ending is a 30-page, rushed description of how they plan to launch a major war against the Panki, while Beast’s 130-page ending takes the gang to the universe of Dora and Lazurus Long where they rescue Maureen from the past and are joined by a passel of Heinlein’s characters.

In both books, Gay Deceiver can clearly travel through any one of three time axes at will, although that ability is largely ignored apart from Maureen’s rescue in Beast. Because of this, we had a fierce debate up in the ITTDB Citadel about whether to even include Pankera in the database. In the end, we decided yes, marking it as the parent work of Beast, but on account of no easily recognizable time travel, we also marked it as having only debatable time travel.

Back in the Old West, just after outlaw Jason Black is dropped from a lone tree with a rope around his neck, two scientists pull him into the 20th century. The story isn’t your typical short story; instead, it’s a treatment that Johnson presented to Rod Serling for a Twilight Zone episode that aired on 1 April 1960.

For me, the update to the 1970s took this made-for-TV movie too far away from the original novel. For example, the Traveller (now a rocket scientist called Neil Perry) explains the workings of the machine with gibberish, whereas the original Traveller expressed himself with up-to-date mathematical terminology. The travel to the Salem witch trials and the California gold rush were also off the mark, as was the dreamy Weena who immediately speaks English.

Apart from the hero in The Time Machine movie (1960), this is the earliest that I’ve seen of the H.G.‑Wells-as-time-traveler subgenre. Our hero chases Jack the Ripper into the 20th century.

Semi-mad scientist Jake Burroughs, his beautiful daughter Deety, her strong love interest Zeb Carter, Hilda Corners (“Aunt Hilda” if you prefer) and their time/dimension-traveling ship Gay Deceiver yak and smooch their way though many time periods in many universes (including that of Lazurus Long), soon realizing the true nature of the world as pantheistic multiperson solipsism.

In Heinlein’s first version of this novel, written in 1977, the middle third of the story takes place on Barsoom, but in the 1980 published version, Barsoom was replaced by a futuristic British Mars

Now that I know that one of the Monkees wrote this time-travel yarn of a dirtbiker riding his motorcycle through a time portal and into the Old West, the universe begins to make sense.

In 1985, an author has visions of a time traveler named Igor from 2099. The traveler is being sent by his comrades in the domed city of St. Petersburg back to the 19th century, where he is tasked with capturing images and audio of motherland’s supreme father of poetry, Alexander Sergeyevich Pushkin.

Note: A dissertation by [ex=bare]Гулиус Наталья Сергеевна | Gulius Natalya Sergeevna[/ex] notes that this story is part of Bitov’s Teacher of Symmetry Cycle, which consisted of a series of avant-garde stories purportedly written by an obscure Englishman named [ex=bare]Э. Тайрд-Боффин | A. Tired-Boffin[/ex] and loosely translated to Russian by Bitov. The English version of “Fotografiya Pushkin (1799–2099)” was said to have been called “Shakespeare’s Photograph” (or possibly “Stern’s Laughter” or “Swift’s Pill”), and presumably it was about Shakespeare rather than Pushkin.

Sergeevna explains that all this artistic mystification was part of an extensive footnote to “Fotografiya Pushkin (1799–2099),” but up in the ITTDB Citadel, we’ve yet to track down the footnote. Perhaps it was part of the 1987 publication in [ex=bare]Знамя || Znamia[/ex], or maybe it did not appear until the story was published along with the rest of the cycle in Bitov’s 1988 collection, [ex=bare]Человек в пейзаже | Man in the landscape | Chelovek v peyzazhe[/ex]. It is not listed in the table of contents of [ex=bare]Преподаватель симметрии ] | | Prepodavatelʹ simmetrii[/ex](2008), which was translated to English as Symmetry Teacher (2014).

After the death of his wife and child, Dr. Scott McKenzie stumbles upon a tintype photograph from the Old West showing three corpses, a shooter, and a modern Magnum 357, leading him to develop a theory of time travel that is confirmed when a beautiful woman from the future appears and takes him back to the Old West to chase the shooter, save President Cleveland, and pursue other obvious plot developments.

Spoiler: At the end, I believe that Georgia uses her time crystal to send Scott back for a do-over on the day of his family’s death. This is disappointing since up until that point, the film has set up a perfect example of a single, nonbranching timeline.

A physics guy invents a time machine that can go only backward and must always return the traveler to the exact same present from which he left.

The Two Great Ones, Bill S. Preston, Esq., and Ted “Theodore” Logan, are the subjects of time-traveler Rufus’s mission, but instead they end up using his machine to write a history report to save their band, Wyld Stallyns.

Marty and 1955-Doc travel back to the Old West where 1985-Doc is trapped along with various Biff ancestors and a possible love interest for Doc.

Joe Buchanan invents a weapon that’s meant to be so terrible it will end war forever, but the weapon causes time rifts, one of which takes him (and his futuristic talking car, a.k.a. his electric carriage) back in time to where he meets Dr. Frankenstein (a standoffish man, but willing to talk science), Frankenstein’s monster (who is fascinated with the talking car), and Mary Wollstonecraft (a budding author).

The film did a good job of bringing Brian Aldiss’s book’s premise to the screen, with a better pace than the book, but the short dream sequences were ineffective for me and Dr. Frankenstein is more of a clichéd villain than in the book.

Finney’s sequel to Time and Again initially finds Si Morley living a happy life in the 19th century with his 19th century family, while The Project in the future never even got started because he prevented the inventor’s parents from ever meeting. But vague memories linger in some of the Project member’s minds, and Morley can’t stay put.

On Good Friday in 1865, Anna Surratt pines for one of her mother’s boarders—a certain John Wilkes Booth—not knowing anything of Booth’s plans for the evening, her mother and brother’s possible role in those plans, or the reason for the legion of odd tourists packing the streets in the nation’s capital around Ford’s Theatre.

Jack and Annie head back to the Old West where they meet a piano-playing ghost, cattle rustlers, and a cowboy who’s a budding writer.

Jack and Annie are given a second gift for Teddy from the legendary White Buffalo Woman of the Lakota.

Morgan sends a plea for help to Jack and Annie, asking them to find four kinds of writing that are needed to save Camelot, which starts the kids on their next trip, back to the American Civil War where they volunteer at a Union field hospital.

Jack and Annie go to a one-room schoolhouse on the Kansas prairie where they save everyone from a twister and find the third piece of writing to save Camelot.

Jack and Annie visit the Paris World’s Fair of 1889 in an effort to protect four scientific pioneers from an evil sorcerer.

After their first adventure united Miri and Molly as twins in the 21st century, the pair discover more about the magic of time travel via doorways and other openings in their house. Unfortunately, their twin brothers also go traveling, getting into hot water in 1864 Virginia.

When Jack and Annie join a group of nineteenth-century explorers aboard the H.M.S. Challenger, they learn about the ocean, solve the mystery of its fabled sea monster, and gain compassion for their fellow creatures.

Sixteen-year-old Gwendolyn Shepherd [Gwyneth in the English translation] always seems to be in the shadow of her cousin Charlotte Montrose, just because Charlotte—born the day before “Gwenny”—is prophesized to be the twelfth and final carrier of a rare time-travel gene passed down through the centuries. But Gwenny doesn’t mind, as she can’t think of anything worse than Charlotte’s carefully prescribed upbringing and the prospect of dizzy spells sending her uncontrollably through time. As the first book of the tightly connected Edelstein Trilogy, the plot plods through Gwenny’s anxious awakening to complicated family mysteries and to her feelings for the pompous Gideon de Villiers, aka time traveler #11.

Jack and Annie travel back to nineteenth-century Ireland to inspire a young Augusta Gregory to share her love of Irish legends and folktales with the world.

Jack and Annie travel back to Victorian London when Merlin asks them to use their magic to inspire Charles Dickens to write “A Christmas Carol.”

In the first of three time travel mini-episodes—each around one minute long—SpongeBob and Patrick put their hot tub time machine through the works, hoping to find Mermaid Man and Barnacle Boy in their prime.

In the time of Napoleon, a sickly English girl discovers a dog in her garden, and the dog leads her through a door to other times and places.

The magic tree house whisks Jack and Annie to Washington, D.C. in the 1860s where they meet Abraham Lincoln and collect a feather that will help break a magic spell.

Victor is one of the many protectors of the timeline from rogue rewinders. In his case, his five-year mission is to protect a small dark-haired boy in 1894 Austria.

Jake doesn't believe in time travel, or that he’s been sent back in time to act as scout for a wagon train along the Oregon Trail. He's also been given the added burden of keeping one emigrant woman safe during the journey. He and Rachel are confused by their attraction to each other. Jake’s ill-mannered, unconventional ways are overshadowed only by his notorious reputation. Rachel’s traditional values and quiet, responsible character are the complete opposite of what attracts Jake to a woman. When their forbidden attraction turns to love, what will happen at the end of the trail?

Seventeen year-old Saira Elian’s mother has disappeared, as she does for a few days every couple of years. But this time, Saira ends up searching for her—in time. Along the way she makes friends for the first time in her nomadic life, and she learns that Vampires, Seers, and Shifters are real. But she also makes enemies, including Jack the Ripper.

When fourteen-year-old Victorian waif Riley shows up in the 21st century on seventeen-year-old FBI Agent Chevie Savano’s watch, the two of them pair up and head back to the late 19th century to escape Riley’s evil pursuer.

Although the book involves wormholes and scientists, it’s really a quantum fantasy, wherein an ordinary fantasy has the word “quantum” scattered throughout in key places, typically before the word magic, magician, or wormhole. Nevertheless, we’ve listed it as science fiction to match its publicity material.

Delaney Goodman has been running from her painful past all her life. Dreams of working with horses have long been replaced with the reality of doing anything to make ends meet. About to hit rock bottom, she accepts a stranger’s proposition, even if it sounds too good to be true. She figures she has nothing, not even her dignity, to lose. She awakens in an unfamiliar Montana ranch - and an unfamiliar century - and quickly discovers that she will need more than her charm to complete the task assigned to her while navigating her new relationship with ranch owner Tyler Monroe.

Jack and Annie are magically transported to mid-1800s Thebes, Egypt, where they are saved from a dangerous accident by Florence Nightingale.

After Huck Finn and Jim fall asleep on an appropriated raft in Hannibal, Mo., they find themselves floating down the Mississippi for decades without ever aging a day themselves.

The animated gang of teen monsters travel centuries into the past to the first day ever at Monster High, but when they return they have each merged with another in the group creating freaky hybrid monsters all around. I’m not sure, but I’m betting that Mattel used this DVD release as an opportunity to also sell freaky hybrid fashion dolls.

Down to earth and level-headed, Morgan Bartlett isn’t afraid to wear her heart on her sleeve. All she wants is independence from her overbearing mother, and the freedom to shape her own destiny. When she aids a badly beaten man along the side of the road, she may have found more than a dusty cowboy down on his luck.

Morgan’s unshakable belief that Gabe is a good man slowly chisels away the walls he’s built around himself. As he comes to terms with living in the future, he must decide if losing his heart is worth more than holding on to the life he’s led in the past.

Gabe McFarlain is adjusting to life in the twenty-first century, and looking forward to his first modern Christmas with his wife Morgan, and his adopted son. Sometimes, however, a little old-fashioned cowboy spirit can add sparkle to the magic of the holidays.

While roleplaying as a 19th-century lady’s maid, vigilant FBI agent Kate Donovan finds herself thrown back to 1815 England where she fights the norms and mores of the time and solves a serial murder case. She hopes that solving the case will prompt her to be thrown back to the 21st century, but alas she seems fated to stay where she is to star in a series of mystery books along with her 19th-century host, the Duke of Aldrich, and his marquis nephew, the debonair Alex.

• 1. A Murder in Time (April 2016
• 2. A Twist in Time (April 2017
• 3. Caught in Time (July 2018
• 4. Betrayal in Time (July 2019
• 5. Shadows in Time (August 2020

As a 400-something-year-old member of the Albatross Society, Tom Hazard ages less than a month for each year of life. But now, after falling in the 21st-century and butting heads with the Society, he seems to be on a mental trip that covers his entire life (but not an actual time traveling trip).

A church group, knitting in the Fellowship Hall, attempts to teach Jane, a new knitter, how to cast on. They realize her dropped stitch has created a wormhole when Beverly, a member of the group, falls into it. They can see she has gone back in time, but are somehow able to reach into the wormhole and pull her back out. They spend the next several minutes debating which Biblical event they would like to witness. The Pastor eventually arrives and interrupts them, causing a disaster which, fortunately, does not result in any loss of life.

A time traveler explains what may not seem obvious.

Tess is a geologist (because, of course, geologists control the time travel of the giant ancient machines) and a member of the Daughters of Harriet (Senator Harriet Tubman, that is, from 19th-century Mississippi). On the surface, the Daughters are time travel scholars, but in reality, Tess and her fellow Daughters are fighting a pitched changewar for women’s rights against the oppressors known as the Comstockers. One more thing: While she’s at it,Tess also hopes to also save the souls of her teenaged self and her underground feminist punk friends in the 1990s, with a particular focus on their vigilante killing spree and young Beth’s abortion.

When 13-year-old Corey Fletcher first finds himself transported back in time, he doesn’t realize how it happened or that he is one of the rare travelers who can actually change the timeline, rescue his Papou, and maybe even save his grandma from 9/11.

Gabe and Morgan McFarlain are looking forward to spending Christmas Eve with their close friends, Jake and Rachel Owens. When the Reverend Johnson makes an unexpected visit, it is Gabe who holds the key to his friends' family secret. When he's asked to go back in time to save Jake's ancestor, the past and the future may be changed forever.

Hunter and Sherri come from completely different upbringings . . . and different centuries. Traveling together on a wagon train makes it difficult to avoid each other. Hunter’s reluctance to let go of past hurts, and Sherri’s reason for making the journey in the first place, leave no room for love to blossom.

Ren (Alexandra Reynolds) owns a neighborhood bar in Baltimore. One evening, Edgar Allan Poe stumbles in—not an early Halloween reveler in costume, but the real thing. In the course of their acquaintance, both Ren and Poe learn more about themselves. Did I mention that Ren is descended from a freed slave mother and a white slave-owning father? And that Poe was an anti-abolitionist?

I love that show! A young woman time-travelling her way through the French Revolution!

After more than a century in limbo, Irish ruffian Liam O’Connor is dropped into an adult life in 21st-century Providence Falls where, in order to save his soul, he must convince his reincarnated true love, Cora, to marry someone other than himself. It appears that Liam had a long sleep, and Cora was reincarnated, but neither had real time travel.

You head out on a quick, rollicking ride back through time, with an unknown pursuer and an ambiguous conclusion.

Historical research Ruth McClintock and local high school student Reece have a journal written by Annie Oakley, from which they conclude that Annie was a time traveler to traumatic moments in her own life—a power that Ruth seems to share.

Hang on to your Tesseracts! Apparently, in Endgame[/em], when the Avengers traveled back to 2012 to swipe various things from the 2012 Avengers, they inadvertantly started a branch in time where Loki ended up with the Tesseract. Of course, once that occurred, the Time Variance Authority quickly spotted him as a Deviant and quickly recruited him to help in their fight against even more deviant Deviants.

To help Miss Marshall find her way in the real wrld, the Island sends her to Victorian England to spend time with her favorite author.

After high-powered lawyer Charlie Leroy gets her client cleared from a rape charge by claiming that the accuser’s lacy underwear was consent to have sex, Charlie finds herself transported by a divine cabdriver to historical moments that were key for women’s rights.