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The Internet Time Travel Database

Star Trek TV

Multiple TV Series

Star Trek (s01e04)

The Naked Time

by John D. F. Black, directed by Marc Daniels
After an alien spore infects the entire Enterprise crew with madness, it seems that the only available action to save the ship from a rapdidly decaying orbit is a cold restart of the engines.
— Michael Main
You know, Dr. McCoy said the same thing.
Star Trek (s01e04), “The Naked Time” by John D. F. Black, directed by Marc Daniels (NBC-TV, USA, 29 September 1966).

Star Trek (s01e19)

Tomorrow Is Yesterday

by D. C. Fontana, directed by Michael O’Herlihy
Darn those high-gravity black stars! Always accidentally throwing starships hither and yon through time. Although in this case, the crew of the Enterprise manages to correct all the problems they caused by beaming 1960s Air Force pilot Captain John Christopher on board.
— Michael Main
Spock: Fifty years to go. Forty. Thirty.
Kirk: Never mind, Mr. Spock.
Spock: [silence]
Star Trek (s01e19), “Tomorrow Is Yesterday” by D. C. Fontana, directed by Michael O’Herlihy (NBC-TV, USA, 26 January 1967).

Star Trek (s01e28)

The City on the Edge of Forever

by Harlan Ellison, directed by Joseph Pevney
After a delirious Bones hurtles through a time portal to the 1930s, Kirk and Spock follow to save him and stop dangerous changes to the timeline, no matter the cost.
— Michael Main
Star Trek (s01e28), “The City on the Edge of Forever” by Harlan Ellison, directed by Joseph Pevney (NBC-TV, USA, 6 April 1967).

Star Trek (s02e26)

Assignment: Earth

by Art Wallace, directed by Marc Daniels
The Enterprise and her crew make their first intentional trip back in time to study historical aspects of 1968 and the Cold War, but unexpectedly, they intercept a transporter beam that brings the mysterious Gary Seven and his feline from a faraway advanced planet.
— Michael Main
Humans of the 20th century do not go beaming around the Galaxy, Mr. Seven.
Star Trek (s02e26), “Assignment: Earth” by Art Wallace, directed by Marc Daniels (NBC-TV, USA, 29 March 1968).

Star Trek (s03e06)

Spectre of the Gun

by Gene L. Coon, directed by Vincent McEveety
After barging into the space of the reclusive Melkotians, Kirk and his crew find themselves facing the Earps and Doc Holliday in a second-rate simulation of the 1881 gunfight at the O.K. Corral.
— Michael Main
History has been changed in the fact that Billy Claiborne didn’t die, but Chekov is lying there dead.
Star Trek (s03e06), “Spectre of the Gun” by Gene L. Coon, directed by Vincent McEveety (NBC-TV, USA, 25 October 1968).

Star Trek (s03e11)

Wink of an Eye

by Arthur Heinemann, directed by Jud Taylor
In an outer quadrant of the galaxy, the Enterprise is taken over by Deela and her subject Scalosians, who can accelerate their personal time frames to a point where everyone else seems frozen.
— Michael Main
They cannot hear you, Captain. To their ears, you sound like an insect.
Star Trek (s03e11), “Wink of an Eye” by Arthur Heinemann, directed by Jud Taylor (NBC-TV, USA, 29 November 1968).

Star Trek (s03e19)

Requiem for Methuselah

by Jerome Bixby, directed by Murray Golden
The seemingly all-powerful Flint lives with the brilliant young Raina, hangs unknown [tag-3791 | da Vinci[/ex] paintings on his walls, and provides Mr. Spock with a modern-day Brahms waltz. Could his riches be ill-got via time travel or is there a mundane explanation?
— Michael Main
Your collection of Leonardo da Vinci masterpieces, Mr. Flint—they appear to have been recently painted.
Star Trek (s03e19), Requiem for Methuselah by Jerome Bixby, directed by Murray Golden (NBC-TV, 14 February 1969).

Star Trek (s03e22)

The Savage Curtain

by Gene Roddenberry and Arthur Heinemann, directed by Herschel Daugherty
The critics agree that this episode lives in the bottom ten of all Star Trek episodes, but we kinda liked seeing Lincoln and Surak, even if Spock concludes that they were mere sims.
— Michael Main
Conjecture, Captain, rather than explanation: It would seem that we were held in the power of creatures able to control matter and to rearrange molecules in whatever fashion was desired, so they were able to create images of Sarak and Lincoln after scanning our minds and using their fellow creatures as source matter.
Star Trek (s03e22), “The Savage Curtain” by Gene Roddenberry and Arthur Heinemann, directed by Herschel Daugherty (NBC-TV, USA, 7 March 1969).

Star Trek (s03e23)

All Our Yesterdays

by Jean Lisette Aroeste, directed by Marvin J. Chomsky
The three principal Trekkers find themselves on a planet where everyone is being evacuated to the past to escape an impending supernova.
— Michael Main
Spock! You’re reverting into your ancestors, five thousand years before you were born!
Star Trek (s03e23), “All Our Yesterdays” by Jean Lisette Aroeste, directed by Marvin J. Chomsky (NBC-TV, USA, 14 March 1969).

Star Trek: The Next Generation (s01e06)

Where No One Has Gone Before

by Diane Duane and Michael Reaves
Yes, we see minor time phenomena when Picard and other members of the crew vividly experience moments and beings from their pasts, possibly created by their thoughts, but the real import of the episode is the introduction of The Traveler, who among other things is able to alter spacetime and is always on the lookout for promising individuals such as Wesley Crusher.
— Michael Main
The Traveler to Picard about Wesley: In such musical geniuses I saw in one of your ship’s libraries—one called Mozart, who as a small child wrote astonishing symphonies, a genius who made music not only to be heard, but seen and felt beyond the understanding, the ability of others. Wesley is such a person, not with music, but with the equally lovely intricacies of time, energy, propulsion, and the instruments of this vessel, which allow all that to be played . . .
Star Trek: The Next Generation (s01e06), “Where No One Has Gone Before” by Diane Duane and Michael Reaves (Paramount Domestic Television, USA, 24 October 1987) [syndicated].

Star Trek: The Next Generation (s01e01-02)

Encounter at Farpoint

by D. C. Fontana
As the new captain of the Enterprise and other new members of his crew become acquainted with their galaxy class starship and its capabilities, they travel to a curious city on Deneb IV and also encounter a powerful being from the Q who, among other things, exhibits a possible power over time itself.
— Michael Main
Troi: Captain, sir, this is not an illusion of a dream.
Picard: But these courts belong in the past.
Troi:I don’t understand either, but this is real.
Star Trek: The Next Generation (s01e01-02), “Encounter at Farpoint” by D. C. Fontana (Paramount Domestic Television, USA, 28 September 1987) [syndicated].

Star Trek: The Next Generation (s03e15)

Yesterday’s Enterprise

by Ira Steven Behr et al., directed by David Carson
Star Trek: The Next Generation (s03e15), “Yesterday’s Enterprise” by Ira Steven Behr et al., directed by David Carson (Paramount Domestic Television, USA, 19 February 1993) [syndicated].

Star Trek: Picard, Season 2

by multiple writers and directors
After a catastrophic start to Season 2, Q steps in to pluck Picard’s crew and the Borg Queen from certain death only to insert them into a dystopian timeline that Q himself had created via a small change in 2024.
— Michael Main
Time? Of course, that’s how he did it. This is not another reality—this is our reality. He went back in time and changed the present.
Star Trek: Picard, Season 2 by multiple writers and directors (Paramount+, 3 March 2022 to 5 May 2022).

Star Trek: Strange New Worlds (s01e10)

A Quality of Mercy

by Henry Alonso Myers and Akiva Goldsman, directed by Chris Fisher
A despondent Captain Pike considers warning two future cadets about the accident that will kill them and maim Pike himself, but before he can write to them, his older self shows up to transport young Pike to the future that the warnings will create.
— Michael Main
Young Pike: How am I supposed to believe . . . ?
Old Pike: . . . that I’m really you?
Young Pike: You ever gonna let me get a word in edgewise?
Old Pike: I knew you were gonna say that. Does that help?
“A Quality of Mercy” by Henry Alonso Myers and Akiva Goldsman, directed by Chris Fisher (Paramount+, USA, 7 July 2022).

Star Trek: Strange New Worlds (s02e03)

Tomorrow and Tomorrow and Tomorrow

by David Reed, directed by Chris Fisher
A mysterious, bloody man appears and warns La’an of an attack in the past, after which she races to the bridge, only to find herself in an alternate timeline with a young James T. Kirk at the helm. A trip to the past seeems in order.
— Michael Main
There’s going to be an attack. It’s going to change the timeline. We have to stop it.
“Tomorrow and Tomorrow and Tomorrow” by David Reed, directed by Chris Fisher (Paramount+, USA, 29 June 2023).
as of 2:45 a.m. MDT, 6 May 2024
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