Against the advice of his alchemist, Sir Arthur calls up the Spirit of Laughter on New Year’s Eve and asks to see the coming year’s issues of the Times.

One day at the end of the 19th century, newspaperman Larry Stevens is given the gift of tomorrow’s newspaper by the ghost of the archive man, Pops Benson. That leads him to improve his position at the newspaper by scooping a story, but it also leads to trouble, more of tomorrow’s papers, and a romance with the alluring clairvoyant Sylvia.

So why do I count this as time travel when, for example, The Gap in the Curtain is not? The future newspapers in Gap never actually appeared, and it felt as if they were mere visions of a possible future, whereas we had no doubt that Larry holds an actual copy of tomorrow’s paper in his hands. And besides, It Happened Tomorrow had a great take on how events may be fated and yet, when accompanied by charming misunderstandings, lead to the unexpected.

Early Edition, one of my favorite TV shows, uses the same idea of tomorrow’s paper, but its creators said that the show was not based on this movie.

In the 1950s, a retired man in New York City speculates on a variety of cases of odd temporal occurrences such as the woman who realized that the old dog who persistently followed her in 1947 was actually the puppy she adopted several years later. And then there was the now famous case of Rudolph Fentz who seemingly popped into Times Square on an evening in the 1950s, apparently straight from 1876.

When all eleven families on Redford Crescent receive a newspaper from the middle of next week, the result is a hastily called neighborhood meeting and an assortment of get-rich-quick plans.

Teenager Prenna James and her mother are two of the survivors of a future plague who return to the early 21st century to live out a quiet life under strict non-interference rules.

Time travel is implied right from the first episode of the CW’s rendition of The Flash where a newspaper from the future is seen in the closing scene. The rest of the first season builds a fine time-travel arc that includes a nefarious time traveler from the far future, a classic grandfather paradox with a twist (sadly not examined), a do-over day for the Flash (which Harrison Wells calls “temporal reversion”), and a final episode that sees the Flash travel back to his childhood (as well as a hint that Rip Hunter himself will soon appear on the CW scene).

At the moment when the speedometer on the Aether spaceship clicked over from .999999c to 1.00000c, a collective cheer erupted up in the ITTDB Citadel. Was it a jaw-dropping dramatic moment? Seems unlikely, but we were looking for something to cheer for in this cryptic story of three men who headed to the future via relativistic time travel, only to find themselves trapped in post-apocalyptic outer space and quantum technobabble.

When Flynne Fisher’s ne’er-do-well brother lands a lucrative gig testing new VR tech, he drafts Flynne to do the heavy lifting, and she’s bowled over by the future world the VR has created—until she realizes it’s more than a sim.