Because of the story’s opening, I’m convinced the Twonky is from the future. The “temporal snag” that brought it to 1942 feels like an unexpected time rift to me, although the route back to the future is an intentional journey via an unexplained method.
Van Vogt combined this with two other stories and a little fix-up material for his 1970 publication of Quest for the Future.
This is the earliest appearance of a time machine—the “Time Ball”—in film that we know of. And based on the name Time Ferry Services, Ltd, it may also be the earliest film mention of a time travel agency.
The story is soft-spoken but moving, and for me, it was a good complement to T.H. White’s backward-time-traveler, Merlyn.
Based on Hank’s knowledge of the castle and its displays, the time travel definitely occurred in this version, with both the travel back and travel forward caused by clonks on the head. And based on the ending, Hank might not have been the only traveler through time.
The story includes flashbacks and previously unknown explanations of the team’s previous trip to the ’40s in Avengers #56, and at the end of the story, Goliath uses Dr. Doom’s Time Platform to banish the Scarlet Centurion back to his time—and we think this is the only time travel that actually appears in the story (apart from the flashbacks). We don’t know what happens to the alternative 1968 (now known as Earth-689, but the traveling Avengers return to the universe that we all knew and loved in the 1960s (a.k.a. Earth-616), with their memory of the whole affair wiped by the Watcher.
Perhaps Ralph was meant to be a ghost bully, perhaps the curly haired boy is young Charlie, perhaps Charlie switches bodies with his own son, or perhaps there’s time travel invovled. We doubt that even Captain Kirk could sort out all those perhapses in this TV version of Ray Bradbury’s story starring William Shatner. But clarity can be had if you read the original story, which takes about the same amount of time as watching the TV episode but shows the rich inner life of Charles Underwood and leaves no ambiguity about what’s up with “Ralph.”
“Time isn’t circular,”
she said to Dr. Kellet. “It’s like a palimpsest.”
“Oh, dear,” he said.
“That sounds very vexing.”
“And memories are sometimes in the future.”