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The Internet Time Travel Database

Time Loop

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Странная жизнь Ивана Осокина

Strannaya zhizn' Ivana Osokina English release: Strange life of Ivan Osokin Literal: The strange life of Ivan Osokin

by Пётр Успенский


[ex=bare]Кинемодрама | Cinema drama | Kinemodrama[/ex] by Пётр Успенский, unknown publication details, 1910.

The Twilight Zone (r1s01e10)

Judgment Night

by Rod Serling, directed by John Brahm

Carl Lanser finds himself on a transatlantic voyage of the cargo liner S.S. Queen of Glasgow, in 1942, not knowing much about himself or how he got there, but knowing volumes about submarine warfare.
— Michael Main
There’d be no wolf packs converging on a single ship, Major Devereaux. The principle of the submarine pack is based on the convoy attack.

The Twilight Zone (v1s01e10), “Judgment Night” by Rod Serling, directed by John Brahm (CBS-TV, USA, 4 December 1959).

Lem’s Star Diaries

Wyprawa profesora Tarantogi

Literal: Professor Tarantoga’s voyage

by Stanisław Lem

Oh, tensor! Oh, turbulent perturbation! Some time before Professor Tarantoga invented a time machine and met a schizophrenic man from the fourth millennium, he apparently invented a transporter that took him and his new assistant Chybek to a series of progressively more advanced civilizations, the last of which included a barefaced cook who had an embarrasing accident in the cosmic kitchen, resulting in mankind (and indirectly resulting in time travel for the professor and Chybek).
— Michael Main
I znów mi się przypaliło—jedno spiralne ramie, od spodu, na trzysta parseków—i znowu wybiegła mi słonecznica, i ścięło się, i będzie zgęstek, i powstanie białko, przeklęte białko! I znowu będzie ewolucja, i ludzkość, i cywilizacja, i będę się musiał tłumaczyć, usprawiedliwiać, składać we dwoje, przepraszać, że to niechcący, że przez przypadek . . . Ale to wy, nie ja!
And I got burned again—one spiral arm, underneath, three hundred parsecs—and again a sunflower came out of me and it was choked and there will be a bundle of white, cursed protein! And there will be evolution again, and humanity and civilization, and I will have to justify, justify, put together, apologize that it’s accidentally, that by accident . . .
English

[ex=bare]Wyprawa profesora Tarantogi: Widowisko w sześciu częściach | Professor Tarantoga’s voyage: A television show in six parts[/ex] by Stanisław Lem, in Noc księżycowa (Wydawnictwo Literackie, 1963).

Dead of Night [segment 1]

Second Chance

by Richard Matheson, directed by Dan Curtis

For the first of three short segments of the TV movie Dead of Night, Richard Matheson wrote this adaptation of Jack Finney’s 1956 story “Second Chance” where a college student lovingly restores a 1920s-era Jordan Playboy roadster and takes it back in time.
— Michael Main
I remember what someone once said; I think it was Einstein or somebody like that. He compared time to a winding river, with all of us in a boat drifting along between two high banks. And we can’t see the future beyond the next curve or the past beyond the curves in back of us, but it’s all still there, as real as the moment around us. To which I now add my own theory . . . that you can’t drive into the past in a modern car because there were no modern cars back then, and you can’t drive into 1926 along a four-lane superhighway, but my car and I—the way I felt about it anyway—were literally rejected that night by our own time.

Second Chance by Richard Matheson, directed by Dan Curtis (NBC-TV, USA, 29 March 1977).

The Showtime 30-Minute Movie [s:1e1]

12:01 PM

by Stephen Tolkin and Jonathan Heap, directed by Jonathan Heap

Kurtwood Smith portrays Myron Castleman’s noon hour over and over in this first movie adaptation of Richard Lupoff’s short story.
— Michael Main
You see, it’s like . . . it’s like we’re stuck. You know, like a . . . like a needle on a scratched record. It all starts at 12:01, and everything goes along fine until one o’clock and then Bam! the whole world snaps back to 12:01 again.

12:01 P.M. by Stephen Tolkin and Jonathan Heap, directed by Jonathan Heap (Showtime, USA, 19 August 1990).

Groundhog Day

by Danny Rubin and Harold Ramis, directed by Harold Ramis

In the quintessential time loop movie, jaded weatherman Phil Connors (no relation to John Connor) is in Puxtahawny to cover the Groundhog Day goings-on, continually repeating the day and—after losing his jaded edge—striving for Rita’s heart.
— Michael Main
So this will be the last time we do Groundhog together.

Groundhog Day by Danny Rubin and Harold Ramis, directed by Harold Ramis (premiered at an unknown movie theater, Los Angeles, 4 February 1993).

You Wish (s01e13)

Gift of the Travi

by Daniel Paige and Sue Paige, directed by Jeff McCracken

When Genie gives each of the kids a Christmas wish, Mickey wishes for a white Christmas in LA, and Travis wishes that it would be Christmas every day. Yeah, like that ever works out.
— Michael Main
I wish every day was Christmas.

You Wish (s01e13), “Gift of the Travi” by Daniel Paige and Sue Paige, directed by Jeff McCracken (ABC-TV, USA, 24 July 1998).

Todd Family 1

Life after Life

by Kate Atkinson

In one instantiation of her life, Ursula Todd dies just moments after her birth in 1910. Fortunately (for the sake of the novel), time seems to be cyclic, so she and the rest of the world get many chances at life. At times, she partially recalls her other lives, resulting in many consequences to history and her personal development.
— Michael Main
So much hot air rising above the tables in the Café Heck or the Osteria Bavaria, like smoke from the ovens. It was difficult to believe from this perspective that Hitler was going to lay waste to the world in a few years’ time.

“Time isn’t circular,” she said to Dr. Kellet. “It’s like a palimpsest.”
“Oh, dear,” he said. “That sounds very vexing.”
“And memories are sometimes in the future.”


Life after Life by Kate Atkinson (Doubleday, March 2013).

Premature

by Dan Beers and Mathew Harawitz, directed by Dan Beers

On the day of his college interview, things don’t go so well for Glenbrook High School senior Rob Crabbe, but right at the climax of the day (so to speak), he finds himself waking up again and again to relive the day, leading to a kind of oversexed Ferris Bueller meets Groundhog Day.
— Michael Main
No, I’m not okay. I’m stuck in the same day, and it’s a fucking hell that you can’t even fathom, and it just keeps happening. I wake up, life kicks the shit out of me, and then I have an orgasm, and then I live the same day all over again.

Premature by Dan Beers and Mathew Harawitz, directed by Dan Beers (South by Southwest Film Festival, Austin, Texas, 7 March 2014).

The Map of Tiny Perfect Things

by Lev Grossman

This novelette version of Mark and Margaret living August 4th over and over preceded the Amazon movie by about three years, but the charm of both teens and their growth through the repeating day was evident even in this original version. If you read the standalone Kindle version of the story, you’ll be rewarded with an epilogue where Gooseman talks about the path he took from the novelette to his first screenplay that became the movie, which we awarded a Gold Eloi Medal.
— Michael Main
“Look, I don’t know how to put this exactly,” I said, “but would you happen to be trapped in a temporal anomaly? Like right now? Like there’s something wrong with time?”

“The Map of Tiny Perfect Things” by Lev Grossman, in Summer Days and Summer Nights: Twelve Love Stories, edited by Stephanie Perkins (St. Martin’s Griffin, May 2016).

ARQ

written and directed by Tony Elliott

Ren (and eventually Hannah) are stuck in a time loop, fighting the Bloc—a group of violent men who at first don’t seem interested in the time-looping machine (aka the ARQ).
— Michael Main
I already tried that.

ARQ written and directed by Tony Elliott (Toronto International Film Festival, 9 September 2016).

Marvel Cinematic Universe 14

Doctor Strange

by Jon Spaihts, Scott Derrickson, and C. Robert Cargill, directed by Scott Derrickson

After his career is destroyed, a brilliant but arrogant surgeon gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
— from publicity material
Dormammu, I’ve come to bargain.

Doctor Strange by Jon Spaihts, Scott Derrickson, and C. Robert Cargill, directed by Scott Derrickson (premiered at an unknown movie theater, Hong Kong, 13 October 2016).

Paradoxes of Time Travel

by Ryan Wasserman

Ryan Wasserman’s philosophical book is one of two books* that need to live on your nonfiction shelf. One by one and with complete reference to the past literature, he presents all the major paradoxes of time travel along with different models of time travel and arguments against time travel even being possible. Just get it and read it cover-to-cover. As a bonus, Professor Wasserman, who is on the Philosophy faculty at Western Washington State University, will cheerfully have discussions about time travel issues via e-mail with those of us up in the nearby ITTDB Citadel.

* The other, of course, is Paul J. Nahin’s Time Machines: Time Travel in Physics, Metaphysics and Science Fiction, Second Edition.

— Michael Main
Each of the foregoing cases involves a self-defeating act—an act such that, if it were performed, it wold not be. Self-defeating acts are obviously impossible, since the performance of such an act would imply a contradiction. Yet time travel seems to make such acts possible. This suggests the following line of argument against backward time travel:

(P1) If backward time travel were possible, it would be possible to perform a self-defeating act.

(P2) It is impossible to perform a self-defeating act.

(C) Backward time travel is impossible.


Paradoxes of Time Travel by Ryan Wasserman (Oxford University Press, 2018).

The Fare

by Brinna Kelly, directed by D. C. Hamilton

Taxi driver Harris and his fare, Penny, are trapped in a time loop, repeating the first few minutes of their ride on desolate night roads.
— Michael Main
Harris: Wait, wait, don’t tell me. Literature, art: History of DC comics with a focus on the Jack Kirby Years.
Penny: Is that a real thing?
H: It was a blow-off course seniors could take at my high school.
P: Wait—I thought Kirby worked for Marvel.

The Fare by Brinna Kelly, directed by D. C. Hamilton (Other Worlds Austin SciFi Film Festival, 9 December 2018).

Now Wait for This Week

by Alice Sola Kim

On the surface, the story seems to be about white, rich, cute Bonnie who knows she’s is living in a time loop in the week of her birthday and exploring it in a surprising variety of ways, but all this is on top of the story about Bonnie’s unknowing roommate, who through her narration of each iteration relates to us her life as a sexual assault survivor.
— Michael Main
They told me that she showed up at their house yesterday, completely frazzled, telling a wild tale about a week that was repeating over and over again.

“Now Wait for This Week” by Alice Sola Kim, in The Cut, 17 January 2019 [e-zine].

Opposite of Always

by Justin A. Reynolds

When high school senior Jack Ellison King’s first girlfriend Kate dies from complications of sickle cell anemia, Jack is thrown back to the moment they first met—all of which happens again and again.
— Michael Main
I know this game. I’ve seen this game. State goes on a frantic late run and wins with an off-balance three at the buzzer.

Opposite of Always by Justin A. Reynolds (Katherine Tegen Books, March 2019) [print · e-book].

Love on Repeat

by John Burd, directed by Peter Foldy

A light take on a woman repeatedly trying to fix her work life and her love life.
— Michael Main
If the universe is giving me a chance to relive the same day over and over, then maybe it’s just giving me a chance to get it right.

Une romance sans fin by John Burd, directed by Peter Foldy (TF1, France, 21 August 2019).

Unlooping

by Marie Vibbert

My life, a black vinyl record

“Unlooping” by Marie Vibbert, Asimov’s Science Fiction January/February 2020.

Boss Level

by Chris Bore et al., directed by Joe Carnaham

After visiting his estranged wife, Jemma, at her top secret lab, retired special forces agent and ne’er-do-well Roy Pulver finds himself endlessly repeating the next day, which always starts with the same assassin in his apartment and always ends with Roy dead, even as he learns more and more about Jemma, their son Joe, Jemma’s work, and how to kill endless assassins.
It’s like being stuck in a video game in a level you know you can’t beat. —from the Hulu varient
English

Boss Level by Chris Bore et al., directed by Joe Carnaham (premiere, ArcLight Cinemas, Hollywood, California, 11 February 2020).

Silver Door Diner

by Bishop Garrison

A great story of an alien from a very advanced race and an Earth with a short, recurring time loop leading up to the time of destruction after an unconventional weapon is used. And a woman working at a diner, and the best apple pie.
— Dave Hook

“Silver Door Diner” by Bishop Garrison, tag-4408 Fiyah, Autumn 2020 [ezine].

The Map of Tiny Perfect Things

by Lev Grossman, directed by Ian Samuels

Mark is living an endlessly time-looping day of skipping summer school to, um, let’s call it “requisition” a front loader, do little acts of kindness around town, and annoy his younger sister when he’s unexpectedly interrupted by Margaret who’s careening her way through the same day while nobody else around them realizes what’s going on.

<spoiler!>One reviewer suggested that the story would have been better told from Margaret’s point of view. Certainly she has an interesting story of her own—one of loss so intense that it stops her world and kidnaps Mark. And yet, for me, Mark’s story is both compelling and well told, and I’m glad the author told his story. He is sensitive and lost and looking for his way in an upended world. He’s not particularly aware of how others feel, but maybe he’s getting there, and somehow Margaret grounds him and provides room to grow to the point where he can offer unconditional friendship to her (and to others) exactly when it’s needed. Is that a corny, uplifting story about tiny, perfect hypercubes that were meant to be? Yes, enjoyably so. I also enjoyed the nods to other popular-culture time travel escapades, though not so much the handwaving attempt at grounding things in science with Mark’s algebra teacher.</spoiler!> Sorry. Sometimes I feel a compulsion to drop into critic mode myself.

— Michael Main
Hi, uh, I’m Mark. I just had a quick question. . . . I was wondering—this is gonna sound really strange, God, really bizaare, but—are you experiencing any kind of temporal anomaly . . . in your life?

The Map of Tiny Perfect Things by Lev Grossman, directed by Ian Samuels (Netflix, USA, 12 February 2021).

The Rehearsals

by Annette Christie

The universe decides that Megan Givens and Tom Prescott—a pair of immature, judgmental thirty-somethings—deserve to repeat the disastrous day before their wedding until they figure out a thing or two about themselves.
— Michael Main
All he could think was that this day was repeating. But that didn’t make any sense. The idea was so absurd,he nearly leaned over the water hazard to splash his face, wake himself up.

The Rehearsals by Annette Christie (Little Brown, July 2021) [print · e-book].

The Blacklist (s09e19)

The Bear Mask

by Noah Schechter, directed by Matthew McLoota

Under severe stress, Agent Aram Mojtabai decides to try psychedelic therapy. Not realizing that he’s tripping, he finds himself repeating a violent time loop.
— Tandy Ringoringo
Aram: You know, when I first heard about psychedelic therapy, I imagined something a bit more—
Dr. Idigbe: —tie-dye and trance music?

The Blacklist (s09e19), “The Bear Mask” by Noah Schechter, directed by Matthew McLoota (NBC-TV, USA, 6 May 2022).

Ad Nauseam

by Josh Warriner

Illegal time travelers Jin and Rhea are stuck in a time loop in the 1950s.
— Michael Main
Was this the fourth, or the fifth time around?

“Ad Nauseam” by Josh Warriner, Daily Science Fiction, 24 June 2022 [webzine].

as of 4:59 p.m. MDT, 18 May 2024
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