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The Internet Time Travel Database

Narrative Time

Timeline Models

Ancestral Voices

by Nat Schachner

Time traveler Emmet Pennypacker kills one ancient Hun without realizing who will disappear from the racist world of 1935.
— Michael Main
The year of grace 1935! A dull year, a comfortable year! Nothing much happened. The depression was over; people worked steadily at their jobs and forgot that they had every starved; Roosevelt was still President of the United States; Hitler was firmly ensconced in Germany; France talked of security; Japan continued to defend itself against China by swallowing a few more provinces; Russia was about to commence on the third Five Year Plan, to be completed in two years; and, oh, yes—Cuba was still in revolution.

“Ancestral Voices” by Nat Schachner, Astounding, December 1933.

The Twilight Zone (r1s01e05)

Walking Distance

by Rod Serling, directed by Robert Stevens

Stopped at a gas station outside of his boyhood hometown, burnt-out executive Martin Sloan decides to explore the town, which surprisingly has not changed at all in twenty-some years.
— Michael Main
I know you’ve come from a long way from here . . . a long way and a long time.

The Twilight Zone (v1s01e05), “Walking Distance” by Rod Serling, directed by Robert Stevens (CBS-TV, USA, 30 October 1959).

On the Bus

by William Grewe-Mullins

A man on a bus gives advice to his younger self.
— Michael Main
You’re going to need a lot of dog food.

“On the Bus” by William Grewe-Mullins, in Black is the New Black, 28 June 2010.

My Wife Hates Time Travel

by Adam-Troy Castro

When a not-so-brilliant man and his similarly equipped wife find out that one of them is destined to invent time travel, they end up continuously fighting, not the least cause of which is their future selves popping in all the time, intent on informing them that they should do this and not that.
— Michael Main
Being the future inventors of time travel wasn’t all bad, of course. It was great to know that we’d never lose anything, never go to a movie that turned out to be a stinker, never buy a book we wouldn’t want to finish, never go out to a restaurant where the service was lousy, and never get stuck in a traffic jam, because we’d always be warned away, beforehand. It was terrific to have some future version of myself pop in just as I was about to irritate my wife with some inconsiderate comment and tell me, “It would be a really bad idea to say that.”

“My Wife Hates Time Travel” by Adam-Troy Castro, in Lightspeed, September 2012.

The Flash, Season 1

written and directed by multiple people

Time travel is implied right from the first episode of the CW’s rendition of The Flash where a newspaper from the future is seen in the closing scene. The rest of the first season builds a fine time-travel arc that includes a nefarious time traveler from the far future, a classic grandfather paradox with a twist (sadly not examined), a do-over day for the Flash (which Harrison Wells calls “temporal reversion”), and a final episode that sees the Flash travel back to his childhood (as well as a hint that Rip Hunter himself will soon appear on the CW scene).
— Michael Main
Wells: Yes, it’s possible, but problematic. Assuming you could create the conditions necessary to take that journey, that journey would then be fraught with potential pitfalls: the Novikov Principle of Self-Consistency, for example.

Joe: Wait—the what, now?

Barry: If you travel back in time to change something, then you end up being the causal factor of that event.

Cisco: Like . . . Terminator.

Joe: Ah!

Wells: Or is time plastic? Is it mutable, whereby any changes in the continuum could create an alternate timeline?

Cisco: Back to the Future.

Joe: Ah, saw that one, too.


The Flash, season 1 written and directed by multiple people (The CW, USA, 7 October 2014) to 19 May 2015).

12 Monkeys, Season 1

written by Terry Matalas, Travis Fickett, et al., directed by multiple people

Same pandemic backstory as the movie, similar names for the characters, no Bruce Willis, and a mishmash of time-travel tropes along with tuneless minor-key chords in place of actual tension and slowly spoken clichéd dialogue in place of actual plot. Random discussions of fate brush shoulders with an admixture of possible time travel models from narrative time (when a wound sprouts on old JC’s shoulder while watching young JC get shot), to skeleton timelines (JC thinks that his timeline will vanish if he succeeds), to a fascination with a single static timeline (you’ll see it in Chechnya) and time itself has an agenda. Primarily, we’d say that the story follows narrative time from Cole’s point of view.

By the end of the first season, one principal character has seemingly been trapped in the 2043, and Cole is stuck in 2015, having just gone against fate in a major way, but with a third principal character poised to spread the virus via a jet plane.

P.S. Whatever you do, whether in narrative time or elsewhen, don’t bring up this adaptation as dinnertime conversation with Terry Gilliam (but do watch it if you can set aside angst over a lack of a consistent model and just go with Cole’s flow).

— Michael Main
About four years from now, most of the human race will be wiped out by a plague, a virus. We know it’s because of a man named Leland Frost. I have to find him.

—from “Splinter” [s01e01]


12 Monkeys, Season 1 written by Terry Matalas, Travis Fickett, et al., directed by multiple people (SyFy, USA, 16 January 2015 to 10 April 2015).

The Flash, Season 2

by multiple writers and directors

After Barry aborts his mission to the past in Season 1 in order to prevent his own present from being erased, he finds that his travel has caused even bigger problems! Yep, a rift has been a-opened to a parallel world with an alternate Flash and an evil speedster and—it would seem—more time travelin’ and another attempt to save his mom and dad!
— Michael Main
No, that’s not how it works. In our timeline, Barry’s mother’s already dead, and her death is a fixed point. And nothing can change that.

The Flash, season 2 by multiple writers and directors (The CW, USA, 6 October 2015) to 24 May 2016).

내가 이 나라의 평강공주다

Mai onri leobeusong English release: My Only Love Song Literal: My only lovesong

by 김수진, directed by 민두식

Diva actress Song Soo-jung drives off in a huff in her manager’s VW van—Boing Boing—only to find herself in the ancient kingdom of Goguryeo where she meets characters from her historical TV show including the real Princess Pyeonggang and the roguish hero On-Dal.
— Michael Main
The history changed because of me, right? That’s why I should go.

Mai onri leobeusong by 김수진, directed by 민두식 (Netflix, 9 June 2017).

Marley and Marley

by J. R. Dawson

Somewhat jaded 28-year-old Marley comes back through time to take care of 12-year-old orphaned Marley.
— Michael Main
He told me all the horrible things that would happen if I broke any Time Laws. Worlds would collapse. I would turn inside out. Important people would die and important things wouldn’t happen.

“Marley and Marley” by J. R. Dawson, Magazine of Fantasy and Science Fiction, November/December 2017.

ドロステのはてで僕ら

Dorosute no hate de bokura English release: Beyond the Infinite Two Minutes Literal: We at the end of the Droste

by 上田誠, directed by 山口淳太

For the first sixty minutes, a perfect static timeline seemed to be emerging from Kato’s video stream from two minutes in the future. We might even get some philosophical commentary on free will! Alas, that was not to be as the final ten minutes presented a more commonplace ending, although the single-take nagamawashi was executed with perfection and garnered this fun film an Eloi Medal.

P.S. Don’t skip the end-credits!

— Michael Main
Your monitor and the shop’s TV are linked with a two-minute delay.

[ex=bare]ドロステのはてで僕ら | We at the end of the Droste | Dorosute no hate de bokura[/ex] by 上田誠, directed by 山口淳太 (at limited theaters, Japan, 5 June 2020).

Mindscape #124

How Time Travel Could and Should Work

by Sean Carroll

Alas, Sean Carroll doesn’t pull any punches in his realistic assessment of the kinds of time travel that are or may be possible under the laws of physics as we know them in our universe. Or, as Professor Carroll himself puts it: “. . . podcasting isn’t for the squeamish.” In my layman’s understand of his most excellent explication, time travel aficionados have two physical phenomena on which to hang their Hat Things:
  1. Time Dilation: Under the laws of Einstein’s special relativity, a fast traveler who leaves the Earth, zooming around for a while at near light speed before returning, will experience less passage of time than those who stay in the more-or-less fixed reference frame of Earth. How cool is that? Yes, you can travel as far into the future as you like, so long as you have a means of zooming up to a high enough speed and returning. (And according to general relativity, time dilation also occurs inside a high gravitational field, although I didn’t notice a discussion of this sort of time dilation in the podcast.)
  2. Closed Timelike Curves: The second hope for time travelers are certain distributions of matter that (according to Einstein’s equations of general relativity) result in directed paths through spacetime in which a traveler along the path is always moving forward through time—and yet completing a full circuit of the path returns the traveler to the starting point in both space and time. That’s the good news. The bad news is that such paths, called closed timelike curves, might only be possible in the presense of infinitely long rotating cylinders or other physical conditions that may be impossible to engineer.
Up in the ITTDB Citadel, many of us found ourselves in a disquieted state at this point in Professor Carroll’s podcast (roughly the two-hour mark). Some went to bed early in a kind of daze; others decided it was time for a long walk through the lonely ice paths that surround the Citdel. But for those with the fortitude to keep their ears glued to the pod, there was a great reward. Carroll had already waded through the swift, waist-high currents of causality, predeterminism, free will, the A Theory of Time, the B Theory of time, and more. But now he was ready to dive into deep, uncharted waters. Yes, now he was ready to leave known physics behind, to talk about branching time that went beyond the Everettian Many Worlds of Schrödinger’s equation, and to consider what kind of a world would be needed to allow stories such as Back to the Future and Looper to consistently hold together. With this in mind, he devices a four-pronged theory that concludes with what he calls Narrative Time. For me, narrative time shares some features with the time model of Asimov’s The End of Eternity (a model that we call Hypertime in our story-tagging system), but it goes far beyond that.

Suffice it to say that when all the Librarians up in the Citadel woke from their sleeps and returned from their treks, we had a celebration that was strident enough to raise Lazurus Long himself from the dead (if he is dead, that is).

— Michael Main
I think that if we really try hard, we can make sense of this. But there’s a rule in physics or whatever that the more surprising and weird the phenomenon is, the more you’re gonna have to work to introduce some weird elements into your theory to explain it. That’s not surprising, right? So we’re gonna need some leaps of faith here, but I think I can come up with the scheme that involves four ingredients on the basis of which we can actually make sense of Back to the Future, Looper, and other similar movies.

“How Time Travel Could and Should Work” by Sean Carroll, from Mindscape 124 [podcast], 23 November 2020.

The Adam Project

by Jonathan Tropper et al., directed by Shawn Levy

In 2050, time jet pilot Adam Reed steals a jet and heads back to 2018 to save his stranded wife, but he gets waylaid in 2022 where his 12-year-old self is the only hope to save the mission.
— Michael Main
Young Adam: I mean if this is happening to me, that means that it already happened to you—right?—unless it works more like a multiverse where each ripple creates an alternate timeline—
Middle-Age Adam: It isn’t a multiverse! My god, we watch too many movies.

The Adam Project by Jonathan Tropper et al., directed by Shawn Levy (Netflix, worldwide, 11 March 2022).

Star Trek: Strange New Worlds (s02e03)

Tomorrow and Tomorrow and Tomorrow

by David Reed, directed by Chris Fisher

A mysterious, bloody man appears and warns La’an of an attack in the past, after which she races to the bridge, only to find herself in an alternate timeline with a young James T. Kirk at the helm. A trip to the past seeems in order.
— Michael Main
There’s going to be an attack. It’s going to change the timeline. We have to stop it.

“Tomorrow and Tomorrow and Tomorrow” by David Reed, directed by Chris Fisher (Paramount+, USA, 29 June 2023).

as of 4:37 p.m. MDT, 18 May 2024
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