Closed Timelike Curve

Tag Area: Time Travel Trope
Nonfiction Book

L’ordine del tempo

  • The order of time
  • The Order of Time
  • by Carlo Rovelli
  • (Adelphi, May 2017)

Although Rovelli’s book touches on time travel only lightly, every sober scholar of time should till have this volume on their shelf. —Michael Main
La struttura dei coni può arrivare a far sì che, andando sempre verso il futuro, si ritorni allo stesso punto dello spaziotempo[. . .].
translate The structure of the cones can even be such that, advancing always toward the future, one can return to the same point in spacetime[. . .].
Nine green polyhedra float in adjoining bubbles on a red background.
  • Nonfiction
  • Time Phenomena
Essay

Mindscape #124

How Time Travel Could and Should Work

  • by Sean Carroll
  • from Mindscape 124 [podcast], 23 November 2020

Alas, Sean Carroll doesn’t pull any punches in his realistic assessment of the kinds of time travel that are or may be possible under the laws of physics as we know them in our universe. Or, as Professor Carroll himself puts it: “. . . podcasting isn’t for the squeamish.” In my layman’s understand of his most excellent explication, time travel aficionados have two physical phenomena on which to hang their Hat Things:
  1. Time Dilation: Under the laws of Einstein’s special relativity, a fast traveler who leaves the Earth, zooming around for a while at near light speed before returning, will experience less passage of time than those who stay in the more-or-less fixed reference frame of Earth. How cool is that? Yes, you can travel as far into the future as you like, so long as you have a means of zooming up to a high enough speed and returning. (And according to general relativity, time dilation also occurs inside a high gravitational field, although I didn’t notice a discussion of this sort of time dilation in the podcast.)
  2. Closed Timelike Curves: The second hope for time travelers are certain distributions of matter that (according to Einstein’s equations of general relativity) result in directed paths through spacetime in which a traveler along the path is always moving forward through time—and yet completing a full circuit of the path returns the traveler to the starting point in both space and time. That’s the good news. The bad news is that such paths, called closed timelike curves, might only be possible in the presense of infinitely long rotating cylinders or other physical conditions that may be impossible to engineer.
Up in the ITTDB Citadel, many of us found ourselves in a disquieted state at this point in Professor Carroll’s podcast (roughly the two-hour mark). Some went to bed early in a kind of daze; others decided it was time for a long walk through the lonely ice paths that surround the Citdel. But for those with the fortitude to keep their ears glued to the pod, there was a great reward. Carroll had already waded through the swift, waist-high currents of causality, predeterminism, free will, the A Theory of Time, the B Theory of time, and more. But now he was ready to dive into deep, uncharted waters. Yes, now he was ready to leave known physics behind, to talk about branching time that went beyond the Everettian Many Worlds of Schrödinger’s equation, and to consider what kind of a world would be needed to allow stories such as Back to the Future and Looper to consistently hold together. With this in mind, he devices a four-pronged theory that concludes with what he calls Narrative Time. For me, narrative time shares some features with the time model of Asimov’s The End of Eternity (a model that we call Hypertime in our story-tagging system), but it goes far beyond that.

Suffice it to say that when all the Librarians up in the Citadel woke from their sleeps and returned from their treks, we had a celebration that was strident enough to raise Lazurus Long himself from the dead (if he is dead, that is). —Michael Main
I think that if we really try hard, we can make sense of this. But there’s a rule in physics or whatever that the more surprising and weird the phenomenon is, the more you’re gonna have to work to introduce some weird elements into your theory to explain it. That’s not surprising, right? So we’re gonna need some leaps of faith here, but I think I can come up with the scheme that involves four ingredients on the basis of which we can actually make sense of Back to the Future, Looper, and other similar movies.
A brain below a lit incandescant light bulb.
  • Eloi Gold Medal
  • Nonfiction
  • Definite Time Travel