Same pandemic backstory as
the movie, similar names for the characters, no
Bruce Willis, and a mishmash of time-travel tropes along with tuneless minor-key chords in
place of actual tension and slowly spoken clichéd dialogue in place of actual plot. Random
discussions of
fate brush shoulders with an admixture of possible time
travel models from
narrative time (when a wound sprouts on old JC’s
shoulder while watching young JC get shot), to
skeleton timelines (JC
thinks that his timeline will vanish if he succeeds), to a fascination with a single static
timeline (you’ll see it in Chechnya) and
time itself has an
agenda. Primarily, we’d say that the story follows narrative time from Cole’s point
of view.
By the end of the first season, one principal character has seemingly been trapped
in the 2043, and Cole is stuck in 2015, having just gone against fate in a major way, but
with a third principal character poised to spread the virus via a jet plane.
P.S. Whatever
you do, whether in narrative time or elsewhen, don’t bring up this adaptation as dinnertime
conversation with Terry Gilliam (but do watch it if you can set aside angst over a lack
of a consistent model and just go with Cole’s flow).
— Michael Main
About four years from now, most of the human race will be wiped out by a plague, a
virus. We know it’s because of a man named Leland Frost. I have to find him.
—from “Splinter” [s01e01]