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The Internet Time Travel Database

Differing Time Rates

Time-Related Situations

महाभारतम्

Mahābhāratam English release: The Mahabharata Literal: Great story

first compilation attributed to Vyasa

Part of the Hindi epic of the Mahabharata tells of King Kakudmi and his daughter Revati who travel to see the Creator Brahma for advice on which suitor Revati should marry. Although there is no time travel, the king and his daughter do experience a slowed passage of time so that during a short time for them, 27 chatur-yugas, each of which consists of four eras, have passed on Earth.
— based on Wikipedia
O King, all those whom you may have decided within the core of your heart to accept as your son-in-law have died in the course of time. Twenty-seven chatur-yugas have already passed.

[ex=bare]महाभारतम् | Great story | Mahābhāratam[/ex] first compilation attributed to Vyasa (traditional Sanskrit epic, circa 800 BC to AD 400).

पायासिसुत्तं

Payasi sutta English release: Payasi Sutta Literal: Payasi teaching

attributed to the followers of The Buddha

The Buddhist canon, called the Tipitaka in Pali, comprises categories of scriptures, the largest of which contains discourses and sermons of the Buddha and his followers. This sermon, the “Payasa Sutta”, believed to have been formulated after the Buddha’s death, tells the experience of Prince Payasi who doubted the truth of reincarnation and the principle of Karma. As he seeks guidance, the Reverend Kumara asks him to consider the Heaven of the Thirty-Three Gods, where time passes at a different rate than in our world. Not actual time travel, but it is the earliest definite mention of a related time phenomenon that we know of.
— Michael Main
‘‘किञ्‍चापि भवं कस्सपो एवमाह, अथ खो एवं मे एत्थ होति – ‘इतिपि नत्थि परो लोको, नत्थि सत्ता ओपपातिका, नत्थि सुकतदुक्‍कटानं कम्मानं फलं विपाको’’’ति। ‘‘अत्थि पन, राजञ्‍ञ, परियायो …पे॰… ‘‘अत्थि, भो कस्सप, परियायो…पे॰… ``यथा कथं विय, राजञ्‍ञाति? ‘‘इध मे, भो कस्सप, मित्तामच्‍चा ञातिसालोहिता पाणातिपाता पटिविरता अदिन्‍नादाना पटिविरता कामेसुमिच्छाचारा पटिविरता मुसावादा पटिविरता सुरामेरयमज्‍जपमादट्ठाना पटिविरता, ते अपरेन समयेन आबाधिका होन्ति दुक्खिता बाळ्हगिलाना। यदाहं जानामि – ‘न दानिमे इमम्हा आबाधा वुट्ठहिस्सन्ती’ति त्याहं उपसङ्कमित्वा एवं वदामि – ‘सन्ति खो, भो, एके समणब्राह्मणा एवंवादिनो एवंदिट्ठिनो – ये ते पाणातिपाता पटिविरता अदिन्‍नादाना पटिविरता कामेसुमिच्छाचारा पटिविरता मुसावादा पटिविरता सुरामेरयमज्‍जपमादट्ठाना पटिविरता, ते कायस्स भेदा परं मरणा सुगतिं सग्गं लोकं उपपज्‍जन्ति देवानं तावतिंसानं सहब्यतन्ति। भवन्तो खो पाणातिपाता पटिविरता अदिन्‍नादाना पटिविरता कामेसुमिच्छाचारा पटिविरता मुसावादा पटिविरता सुरामेरयमज्‍जपमादट्ठाना पटिविरता। सचे तेसं भवतं समणब्राह्मणानं सच्‍चं वचनं, भवन्तो कायस्स भेदा परं मरणा सुगतिं सग्गं लोकं उपपज्‍जिस्सन्ति, देवानं तावतिंसानं सहब्यतं। सचे, भो, कायस्स भेदा परं मरणा सुगतिं सग्गं लोकं उपपज्‍जेय्याथ देवानं तावतिंसानं सहब्यतं, येन मे आगन्त्वा आरोचेय्याथ – `इतिपि अत्थि परो लोको, अत्थि सत्ता ओपपातिका, अत्थि सुकतदुक्‍कटानं कम्मानं फलं विपाकोति।
“Well then, chieftain, I’ll ask you about this in return, and you can answer as you like. A hundred human years are equivalent to one day and night for the gods of the Thirty-Three. Thirty such days make a month, and twelve months make a year. The gods of the Thirty Three have a lifespan of a thousand such years. Now, as to your friends who are reborn in the company of the gods of the Thirty-Three after doing good things. If they think, ‘First I’ll amuse myself for two or three days, supplied and provided with the five kinds of heavenly sensual stimulation. Then I’ll go back to Pāyāsi and tell him that there is an afterlife.’ Would they come back to tell you that there is an afterlife?”
English

[ex=bare]पायासिसुत्तं | Payasi teaching | “Payasi sutta”[/ex] attributed to the followers of The Buddha, in तिपिटक (traditional Buddhist scriptures, circa 400 BC).

Wanderer of Infinity

by Harl Vincent

When Joan Carmody sends a plea to her ex-boyfriend Bert Redmond, he barrels from Indiana to upstate New York in a trice, only to see Joan and her borderline-mad brother Tom kidnapped by metal monsters from another dimension. Fortunately, a mourning, immortal wanderer through time and space also sees the abduction and fills in Bert with all the salient details and some unsalient ones, too.
— Michael Main
“We are here only as onlookers,” the Wanderer explained sadly, “and can have no material existence here. We can not enter this plane, for there is no gateway. Would that there were.”

“Wanderer of Infinity” by Harl Vincent, in Astounding Stories of Super-Science, March 1933.

Tales of Tomorrow (s01e37)

All the Time in the World

by unknown writers and Arthur C. Clarke, directed by Don Medford

The skilled robber is now Henry Judson and his target is now the New York Metropolitan Museum, but the plot essentials remain largely the same as in Clarke’s earlier story: Use the time traveler’s foolproof plan to rob the museum.
— Michael Main
Within this five-foot circle, time is speeded up to an almost unbelievable pace. But the world outside the circle remains unchanged.

“All the Time in the World” by unknown writers and Arthur C. Clarke, directed by Don Medford (ABC-TV, USA,13 June 1952).

All the Time in the World

by Arthur C. Clarke

Robert Ashton is offered a huge amount of money to carry out a foolproof plan of robbing the British Museum of its most valuable holdings.
— Michael Main
Your time scale has been altered. A minute in the outer world would be a year in this room.

“All the Time in the World” by Arthur C. Clarke, Startling Stories, July 1952.

a Haertel Complex story

Common Time

by James Blish

Spaceman Garrard is the third pilot to attempt the trip to the binary star system of Alpha Centauri using the FTL drive invented by Dolph Haertel (the next Einstein!) The Haertel Complex stories provide little in the way of actual time travel, but this one does have minor relativistic time dilation and more significant differing time rates.
— Michael Main
Figuring backward brought him quickly to the equivalence he wanted: one second in ship time was two hours in Garrard time.

“Common Time” by James Blish, in Shadow of Tomorrow, edited by Frederik Pohl (Permabooks, July 1953).

Of All Possible Worlds

by William Tenn

Max Alben Mac Albin is genetically predisposed to survive time travel, so he’s the natural choice to go back in time and shift the course of a missile that shifted the course of history.
— Michael Main
Now! Now to make a halfway decent world! Max Alben pulled the little red switch toward him.
flick!
Now! Now to make a halfway interesting world! Mac Albin pulled the little red switch toward him.
flick!

“Of All Possible Worlds” by William Tenn, Galaxy Science Fiction, December 1956.

The Time Travelers

written and directed by Ib Melchior

Using their time viewer, three scientists see a desolate landscape 107 years in the future, at which point the electrician realizes that the viewer has unexpectedly become a portal. All four jump through, only to have the portal collapse behind them, whereupon they are chased on the surface by Morlockish creatures who are afraid of thrown rocks, and they meet an advanced, post-apocalyptic, underground society that employs androids and is planning a generation-long trip to Alpha Centauri.

The film draws in at least four important additional time travel tropes: suspended animation, a single nonbranching, static timeline (with the corresponding inability to go back and change it), experiencing the passage of time at different rates, and a trip to the far future. And according to the SF Encyclopedia, the film was originally conceived as a sequel to the 1960 film of The Time Machine.

— Michael Main
Isn’t it obvious? The war did happen. You never did go back with your warning.

The Time Travelers written and directed by Ib Melchior (at movie theaters, USA, 29 October 1964).

Star Trek (s03e11)

Wink of an Eye

by Arthur Heinemann, directed by Jud Taylor

In an outer quadrant of the galaxy, the Enterprise is taken over by Deela and her subject Scalosians, who can accelerate their personal time frames to a point where everyone else seems frozen.
— Michael Main
They cannot hear you, Captain. To their ears, you sound like an insect.

Star Trek (s03e11), “Wink of an Eye” by Arthur Heinemann, directed by Jud Taylor (NBC-TV, USA, 29 November 1968).

from Watership Down

The Story of El-ahrairah and the Black Rabbit of Inlé

by Richard Adams

According to rabbit lore, during a dire time when El-ahrairah’s warren is under siege, the wise rabbit devices a plan to offer his life to Death himself in return for relief from the siege. So with the help of a distraction by his brave generals, El-ahrairah and his faithful companion Rabscuttle escape from the burrows and journey to the land of Death. You’ll have to read of their quest yourself, but I will tell you that their passage of time in the land of the gods is—as in our own traditional tales of The Mahabharata and The Tipitaka—much slower than the passage of time in the mortal realm.
— Michael Main

“The Story of El-ahrairah and the Black Rabbit of Inlé” by Richard Adams, chapter 17 of Watership Down, (Rex Collings, November 1972).

Trips

by Robert Silverberg

Silverberg’s introduction to “Trip” in the collection Trips, vol. 4 of the Collected Stories of Robert Silverberg (Subterranean Press, 2009), states that he wrote the story with the goal of being the ultimate alternative universes story, and he lived up to that goal, devising nearly a dozen alternative Bay Area universes for his hero Cameron to express his wanderlust. Admittedly, there’s no actual time travel because the story was part of an anthology of ultimate sf, and Silverberg left the time travelin’ to Philip K. Dick’s “A Little Something for Us Tempunauts.” But there is a world that Cameron thinks is a 1950s San Francisco (it isn’t) and there’s a chance that Cameron experiences the passage of time at rates that differ from world to world.

Warning: The first publication of the story in that ultimate anthology (Final Stage: The Ultimate Science Fiction Anthology) was “cut to shreds” by a ham-handed editor at Charterhouse, so your best bet is to read it in one of Silverberg’s later collections.

— Michael Main
There’s an infinity of worlds, Elizabeth, side by side, worlds in which all possible variations of every possible event take place. Worlds in which you and I are happily married, in which you and I have been married and divorced, in which you and I don’t exist, in which you exist and I don’t, in which we meet and loathe one another, in which—in which—do you see, Elizabeth, there's a world for everything, and I’ve been traveling from world to world.

“Trips” by Robert Silverberg, in The Feast of St. Dionysus (Charles Scribner’s Sons, March 1975).

Slow Birds

by Ian Watson

Every year, Jason Babbidge competes in the skate-sailing race on the two-and-a-half-mile-wide glass surfaces left behind by slowly flying birds when they occassionally explode before disappearing. This year’a race is not a win for Jason, but even worse is what happens when his brother Daniel climbs aboard one of the birds afterwards.
— Michael Main
They were called slow birds because the flew through the air—at the stately pace of three feet per minute.

“Slow Birds” by Ian Watson, Magazine of Fantasy and Science Fiction, June 1983.

Himself in Anachron

by Cordwainer Smith and Genevieve Linebarger

Tasco Magnon, time traveler, decides to take his new bride on his next trip through time—a quest to find the mythical Knot in Time—where the two of them get trapped, and only one can return.

After Smith’s death in 1966, the story was completed by his wife, Genevieve Linebarger, and sold to Harlan Ellison’s The Last Dangerous Vision, but that anthology was endlessly delayed. So in 1987, a translated version of the story was published in a French collection of Smith’s stories, and that was the first published version (although we’ve listed it as an English story, since that’s how it was written). The English version was finally published in Smith’s 1993 complete short science fiction collection by NESFA. By then, Ellison’s rights to the story had expired, although that didn’t stop him from suing NESFA.

— Michael Main
‘Honeymoon in time,’ indeed. Why? Is it that your woman is jealous of your time trips? Don’t be an idiot, Tasco. You know that ship’s not built for two.

“Lui-même en Anachron” by Cordwainer Smith and Genevieve Linebarger, in Les puissances de’espace [The powers of space[/em] (Presses Pocket, September 1987).

Diving Universe 1A

Diving into the Wreck

by Kristine Kathryn Rusch

The first story in the Diving Universe series finds the captain (a.k.a. “Boss”) of Nobody’s Business and her motley crew of five wreck divers grappling with a five-thousand-year-old derelict spaceship that’s farther from Earth than it has any right to be. Their own spaceship has an FTL Drive, which always implies time travel, and there are suggestions that the old ship has areas of differing time rates based on interdimensional, parallel universe hand-waving, but the confirmation of actual time travel doesn’t occur until later in the Diving Universe series.
— Michael Main
A few documents, smuggled to the colonies on Earth’s Moon, suggested that stealth tech was based on interdimensional science—that the ships didn’t vanish off radar because of a “cloak” but because they traveled, briefly, into another world—a parallel universe that’s similar to our own.

I recognized the theory—it’s the one on which time travel is based, even though we’ve never discovered time travel, at least not in any useful way, and researchers all over the universe discourage experimentation in it. They prefer the other theory of time travel, the one that says time is not linear, that we only perceive it as linear, and to actually time travel would be to alter the human brain.

But what Squishy is telling me is that it’s possible to time travel, it’s possible to open small windows in other dimensions, and bend them to our will.


“Diving into the Wreck” by Kristine Kathryn Rusch, in Asimov’s Science Fiction, December 2005.

Diving Universe 1B

The Room of Lost Souls

by Kristine Kathryn Rusch

This time around, “Boss” puts together a crew to dive into the central part of an age-old abandoned space station where many have entered but, apparently, only Boss (long ago, as a young girl) has ever returned. The universe is largely unchanged from the first Diving Universe story, replete with mysterious interdimensional ambiguities and timey-wimey goings-on, but still no actual time travel.
— Michael Main
The exterior parts of the station move in a slower time frame. The interior part, nearest the stealth tech itself, is moving at an accelerated pace.

“Diving into the Shipwreck” by Kristine Kathryn Rusch, in Asimov’s Science Fiction, April/May 2008.

Diastanaut

by M. Yzmore

Although the story has no explicit mention of time phenomena, please see our tagging of the story for one interpretation of Imoghen’s multiverse travels.
— Michael Main
Ze had traveled the multiverse more times than any other distanaut [. . .]

“Diastanaut” by M. Yzmore, in Chronos: An Anthology of Time Drabbles, edited by Eric S. Fomley (Shacklebound Books, August 2018).

Hello Now

by Jenny Valentine

Teenager Jude enjoys thinking in similes and metaphors, so much so that perhaps Jude’s whole story—being uprooted, meeting an odd man, and meeting an otherworldly boy who sees no difference between space and time—is itself a metaphor for first love. The odd boy, Novo, has equally odd conversations with Jude—I’m unsure whether the conversations are deep or metaphors or both or neither—while he manipulates time, space and memories.
— Michael Main
You are the place I return to, in between times. My fulcrum, the point at my center, around which all of me turns. You are my chance at stillness. The rock in my water. I know you.

Hello Now by Jenny Valentine (Philomel Books, March 2020).

Loki, Season 1

by Michael Waldron et al, directed by Kate Herron

Hang on to your Tesseracts! Apparently, in Endgame[/em], when the Avengers traveled back to 2012 to swipe various things from the 2012 Avengers, they inadvertantly started a branch in time where Loki ended up with the Tesseract. Of course, once that occurred, the Time Variance Authority quickly spotted him as a Deviant and quickly recruited him to help in their fight against even more deviant Deviants.
— Michael Main
Appears to be a standard sequence violation. Branches growing at a stable rate and slope. Variant identified.

Loki, Season 1 by Michael Waldron et al, directed by Kate Herron (Disney+, worldwide, 9 June 2021 to 14 July 2021 [6 episodes]).

What If . . . ? [s1e01]

What If . . . Captain Carter Were the First Avenger?

by A. C. Bradley, directed by Bryan Andrews

The Watcher tells us of a universe where a change in a single decision made Peggy Carter (rather than Steve Rogers become the Allies’ super-soldier. Like Steve, Peggy also managed to find her way into modern times via a technique that’s related to time travel.
— Michael Main
When asked to leave the room, Margaret “Peggy” Carter chose to stay, but soon it would be her venturing into the unknown and creating a new world.

“What If . . . Captain Carter Were the First Avenger?” by A. C. Bradley, directed by Bryan Andrews, What If . . . ? [s01e01] (Disney+, worldwide, 11 August 2021).

The Dust of Giant Radioactive Lizards

by Jason Sanford

Forty years after NASA explorer Tessa Raij attempted to step through a dimensional portal and was instead relegated to an inexplicable state of isolation in a radioactivce crater, a dead girl—resembling her grandmother as a teen—shows up at her feet.
— Michael Main
Anything entering her horizon no longer experienced the passage of time.

“The Dust of Giant Radioactive Lizards” by Jason Sanford, Asimov’s Science Fiction, September/October 2021.

Fantasy Island (r3s01e06)

The Big Five Oh

by Elizabeth Craft and Sarah Fain, directed by Diana Valentine

Lifetime friends Camille, Margot, and Nettie are celebrating their 50th birthdays on the Island along with a bit of time-slowing for Margot and a non-interactive trip to view a potential future for all three.
— Michael Main
Margot [after seeing the future]: Was that real?
Elena: As of this moment, yes.

Fantasy Island (v3s01e06), “The Big Five Oh” by Elizabeth Craft and Sarah Fain, directed by Diana Valentine (Fox-TV, USA, 12 September 2021).

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