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The Internet Time Travel Database

Kristine Kathryn Rusch

writer

The Gallery of His Dreams

by Kristine Kathryn Rusch

Having spent his life and his fortune documenting the American Civil War, pioneering photographer Mathew Brady is repeatedly visited by a woman of the future who asks him to photograph the horrors of the wars she knows, starting with Hiroshima.
“I’m sorry, ma’am,” Brady said. He didn’t turn to see which portraits she had indicated. “I didn’t mean to offend you. These portraits show what war really is, and I think it’s something we need to remember lest we try it again.”

“The Gallery of His Dreams” by Kristine Kathryn Rusch (Axolotl Press, July 1991).

Quantum Leap, Book 14

Loch Ness Leap

by Kristine Kathryn Rusch


Loch Ness Leap by Kristine Kathryn Rusch (Boulevard Books, July 1997).

Blood Trail

by Kristine Kathryn Rusch

Detective Wheldon, the top man in NYPD Homicide is approached by two FBI agents who offer to let him go back in time two weeks to observe the 4th killing by a serial killer.

This is the first story in Future Imperfect, a 2001 anthology of 12 original time-travel stories, co-edited by the prolific anthologist Martin H. Greenberg (1941-2011) who was also a political science professor at the University of Wisconsin, Green Bay.

— Michael Main
When it became clear that time travel was even a remote possibility, the government bought a lot of scientists. Those who didn’t play got discredited.

“Blood Trail” by Kristine Kathryn Rusch, in Past Imperfect, edited by Martin H. Greenberg and Larry Segriff (DAW Books, October 2001).

The Last Vampire

by Kristine Kathryn Rusch


“The Last Vampire” by Kristine Kathryn Rusch, in Time After Time, edited by Denise Little (DAW Books, November 2005).

Diving Universe 1A

Diving into the Wreck

by Kristine Kathryn Rusch

The first story in the Diving Universe series finds the captain (a.k.a. “Boss”) of Nobody’s Business and her motley crew of five wreck divers grappling with a five-thousand-year-old derelict spaceship that’s farther from Earth than it has any right to be. Their own spaceship has an FTL Drive, which always implies time travel, and there are suggestions that the old ship has areas of differing time rates based on interdimensional, parallel universe hand-waving, but the confirmation of actual time travel doesn’t occur until later in the Diving Universe series.
— Michael Main
A few documents, smuggled to the colonies on Earth’s Moon, suggested that stealth tech was based on interdimensional science—that the ships didn’t vanish off radar because of a “cloak” but because they traveled, briefly, into another world—a parallel universe that’s similar to our own.

I recognized the theory—it’s the one on which time travel is based, even though we’ve never discovered time travel, at least not in any useful way, and researchers all over the universe discourage experimentation in it. They prefer the other theory of time travel, the one that says time is not linear, that we only perceive it as linear, and to actually time travel would be to alter the human brain.

But what Squishy is telling me is that it’s possible to time travel, it’s possible to open small windows in other dimensions, and bend them to our will.


“Diving into the Wreck” by Kristine Kathryn Rusch, in Asimov’s Science Fiction, December 2005.

Diving Universe 1B

The Room of Lost Souls

by Kristine Kathryn Rusch

This time around, “Boss” puts together a crew to dive into the central part of an age-old abandoned space station where many have entered but, apparently, only Boss (long ago, as a young girl) has ever returned. The universe is largely unchanged from the first Diving Universe story, replete with mysterious interdimensional ambiguities and timey-wimey goings-on, but still no actual time travel.
— Michael Main
The exterior parts of the station move in a slower time frame. The interior part, nearest the stealth tech itself, is moving at an accelerated pace.

“Diving into the Shipwreck” by Kristine Kathryn Rusch, in Asimov’s Science Fiction, April/May 2008.

Red Letter Day

by Kristine Kathryn Rusch

Without completely forbidding it, the government allows limited time travel: Each person may send a single letter from himself or herself at age 50 back to age 18 with information about a single event, though not everyone sends the letter and not everyone approves of the procedure. Our narrator did not receive the letter when she was young, and now she approaches 50 as a counselor for others who do not receive a letter.
You know the arguments: If God had wanted us to travel through time, the devout claim, he would have given us the ability to do so. If God had wanted us to travel through time, the scientists say, he would have given us the ability to understand time travel—and oh! Look! He’s done that.

“Red Letter Day” by Kristine Kathryn Rusch, in Analog, September 2010.

Uncertainty

by Kristine Kathryn Rusch

For me, the main story of time-travel agent Leah wandering from one World War II encounter with Heisenberg to another did not have a clear notion of time travel, and the ties to the uncertainty principle were not germane to the story. The exposition of the uncertainty principle itself was also confused, conflating it with the observer effect and not correctly representing the fact that a particle cannot simultaneously possess both a sharply localized position and a sharply localized momentum. On the other hand, I did enjoy the opening scene with Moe Berg, and the mix-ups are partly from his layman’s point-of-view.
Werner Heisenberg’s controversial uncertainty principle was one of the cornerstones of quantum physics. Heisenberg postulated that it was possible to know a particle’s position or that it was possible to know how fast the particle moved, but no one could know both the position and movement of the particle at the same time. Berg had spent quite a bit of time in Oxford, talking with leading scientists as he prepared for this job, and one of them used a description that moved away from particles into theory, which Berg appreciated. That scientist had told Berg that at its core, Heisenberg’s principle meant this: The act of observing changes the thing being observed.

“Uncertainty” by Kristine Kathryn Rusch, in Asimov’s Science Fiction, February 2013.

Snipers

by Kristine Kathryn Rusch


Snipers by Kristine Kathryn Rusch (WMG Publishing, March 2013).

When Thomas Jefferson Dined Alone

by Kristine Kathryn Rusch


“When Thomas Jefferson Dined Alone” by Kristine Kathryn Rusch, in Solaris Rising 2: The New Solaris Book of Science Fiction, edited by Ian Whates (Solaris, April 2013).

The First Step

by Kristine Kathryn Rusch

Divorced, workaholic professor Harvey DeLeo’s time machine is finally ready to test on a human, and against everyone’s advice he himself takes that first journey back to a time when he was still married to his beautiful wife and their son was but a toddler.
This day, the next hour, were the reasons he had built the device. Not so that graduate students in religion could travel back to Christ’s cruxifixion to see if it really happened as the Bible said. Not so that historians could add to their dissertations by actually speaking to Thomas Jefferson. Not so that techs could fruitlessly try to modify the device so that someone could finally shoot Hitler.

“The First Step” by Kristine Kathryn Rusch, in Asimov’s Science Fiction, August 2015.

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