John Clute at the SF Encyclopedia describes the short play as “almost predictive of H. G. Wells’s 1053 } The Time Machine,” with Eloi-like upper classes and Morlock-like lower classes—but apart from having such future beings, there are no actual time phenomena in the play. However, the play does mention mechanical horses, steam porters, and automata secretaries who, among other things, write notes of condelences and/or congratulations (sometimes mixing them up).

The book‘s opening scene portrays the protagonist, John Hope, awakening from a sleep of 193 years. Hope had been a prominent mid-twentieth-century scientist, who had developed new power sources that enabled air travel and, eventually, space exploration. In the year 1950, Hope had taken a “sleeping draught” that put him into a long suspended animation, as part of a planned experiment. When he wakes in the year 2143, he is met by Alfred and Edith Weir, descendants of John Malcolm Weir, the chemist who had prepared the sleeping draft Hope had taken in 1950.

The original edition of The Great Romance is one of the rarest books extant, with single copies of Parts 1 and 2 existing in New Zealand libraries. After a century of neglect, the book has been reprinted by editor Dominic Alessio, first in Science Fiction Studies in 1993 (Part 1) and then in a separate volume in 2008 (Parts 1 and 2).[9] (A third part of the story is thought to have existed, but no copy has yet been found.) The two extant volumes were reprinted in 2008, along with commentary by Dominic Alessio on the influence the writing likely had on Edward Bellamy’s Looking Backward.

Considerable detective work has been applied to the question of the identity of the pseudonymous Inhabitant, although with no definite result.
Nevertheless, we lean toward the theory of one “Honnor of Ashburton,” because of an annotation to this effect in the only known original copies of the first two volumes of the work. Additionally, of the two title leafs found with Volume 1, the Ashburton page was printed on paper that matches that of the volume itself, and the volume contained advertisements for Ashburton businesses. This explains the photo we’ve attached to the story, which depicts the Ashburton Borough Council and Public Library, circa 1881. So far as we know, the clock tower has no connection to the lightning storm of 12 October 1955

The narrator longs to see history develop over centuries, so when an immensely evolved Being offers to take him into the future, he agrees and is taken to a dystopian world of 2120 A.D. when mankind is on the verge of extinction.

You’ll need some patience with “Coils of Time," seeing as how it takes the hero, Rutherford Bohr Adams, twenty-some pages before you’ll realize that the story is a sequel to “The Sands of Time,” and it’s going to fall to space pilot Adams to travel through the 60-million-year coils of times into the future and the past, saving Earth from the evil Martians and their zombies, while also saving his own boss’s beautiful daughter from a fate worth than death.

Jeff Calder is a true prankster, but his new messenger, Dal J. Keefe, seems to take every prank without missing a beat.

Fresh off a heist of $150,000, three crooks freeze themselves for 150 years to escape the law.

You are reading an artsy story, told in the second-person, about a time traveler from AD 2181 who hunts a brontosaurus.

As the new captain of the Enterprise and other new members of his crew become acquainted with their galaxy class starship and its capabilities, they travel to a curious city on Deneb IV and also encounter a powerful being from the Q who, among other things, exhibits a possible power over time itself.

At the end of Bradbury’s adaptation of his own earlier story, he adds a holo-twist that viewers of The Ray Bradbury Theater may have enjoyed.

The director of Hilltop Research Station extinguishes various fires while hosting a donor dinner in the Cretaceous and planning predatory behavior of his own to keep the donor funds flowing, all while ensuring that the mysterious beings known only as the Unchanging remain in the dark about a quagmire of time travel violations.

An accident near a black hole has seemingly doomed Kevyn Shalamarn along with her copilot and her AI, until they are pulled into a far future that could have been inspired by Frank Tipler’s Omega Point cosmology. The trip to the future seems to be in the domain of relativistic time dilation rather than time travel, and it’s unclear whether the trip back is actual time travel or some form of quantum physics mashed up with simulations.

When time travel agent Kin Stewart finds himself rapidly losing his memory and stranded in 1996, he writes a journal of his life in the future and proceeds to break every rule in the book by creating a new life and family in his new present . . . until a retriever shows up in 2014.

A decade after David Thorne’s wife goes missing on a solo trip to northern California, her exact duplicate shows up—without having aged a day and claiming not to be Emily—at a bar in one of David’s favorite restaurants.

On the 107th floor of the South Tower on 9/11, time travel tour guide Brad Eckelson meets Sitra Velasco, a woman who couldn’t possibly be there.

When Flynne Fisher’s ne’er-do-well brother lands a lucrative gig testing new VR tech, he drafts Flynne to do the heavy lifting, and she’s bowled over by the future world the VR has created—until she realizes it’s more than a sim.

A mysterious, bloody man appears and warns La’an of an attack in the past, after which she races to the bridge, only to find herself in an alternate timeline with a young James T. Kirk at the helm. A trip to the past seeems in order.