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The Internet Time Travel Database

Atlantis

Fictional Settings

The Atom-Smasher

by Victor Rousseau

We've got the evil Professor Tode (who modifies an atom-smasher into a time machine that travels to the Palaeolithic and to Atlantis), a fatherly older professor, his beautiful young daughter (menaced by evil Tode), casually written racist pronouncements (by Rousseau), and our hero scientist, the dashing Jim Dent. But my favorite sentence was the brief description of quantum mechanics, which I didn’t expect in a 1930 science fiction tale.
— Michael Main
The Planck-Bohr quantum theory that the energy of a body cannot vary continuously, but only by a certain finite amount, or exact multiples of this amount, had been the key that unlocked the door.

“The Atom-Smasher” by Victor Rousseau, Astounding Stories of Super-Science, May 1930.

Silver Dome

by Harl Vincent

In an underground city, Queen Phaestra uses a past-viewing machine of vague nature to show the destruction of Atlantis to two good-hearted men. But Atlantis itself is not visited, and there are no time phenomena apart from the viewing.
— Michael Main
This is accomplished by means of extremely complex vibrations penetrating earth, metals, buildings, space itself, and returning to our viewing and sound reproducing spheres to reveal the desired past or present occurrences at the point at which the rays of vibrations are directed.

“Silver Dome” by Harl Vincent, in Astounding Stories of Super-Science, August 1930.

The Voyages of Ijon Tichy 20

Podróż dwudziesta

English release: The Twentieth Voyage Literal: Journey twenty

by Stanisław Lem

After the time mish-mash of Ijon Tichy’s seventh voyage, it wasn’t clear whether Ijon would ever ply the channels of time again, but here he is, traveling back in time to persuade himself to go forward in time and take up the helm of THEOHIPPIP—a.k.a. Teleotelechronistic-Historical Engineering to Optimize the Hyoerputerized Implementation of Paleological Programming and Interplanetary Planning. It takes a few attempts for older Ijon to convince younger Ijon to head to the future on a one-man chronocykl, but when he does, the younger Ijon begins the unexpectedly hard task of righting history’s wrongs. As a sophisticated time traveler yourself, you’ll spot what’s happening early on, while you also get a tour of history from the formamtion of the Solar System to the extinction of the dinosaurs and the paintings of Hieronymus Bosch. You’ll also recognize the fun Lem has at the expense of the bureaucracies of mid-20th-century Poland.
— Michael Main
Zresztą Bosch nie powstrzymał się od niedyskrecji. W „Ogrodzie uciech ziemskich,” w „piekle muzycznym” (prawe skrzydło tryptyku) stoi w samym środku dwunastoosobowy chronobus. I co miałem z tym robić?
Even so, Bosch couldn’t refrain from certain indiscretions. In the “Garden of Earthly Delights,” in the very center of the “Musical Hell” (the right wing of the triptych), stands a twelve-seat chronobus. Not a thing I could do about it.
English

[ex=bare]“Podróż dwudziesta” | Journey twenty[/ex] by Stanisław Lem, in Dzienniki gwiazdowe, expanded third edition, by Stanisław Lem, (Czytelnik, 1971).

as of 1:09 p.m. MDT, 18 May 2024
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