The skilled robber is now Henry Judson and his target is now the New York Metropolitan Museum, but the plot essentials remain largely the same as in Clarke’s earlier story: Use the time traveler’s foolproof plan to rob the museum.

A battlefield plunderer meets his own dead self.

Fresh from finishing her Ph.D., Madeline Maxwell (aka Max) runs into her high school mentor who encourages her to apply for a position with a cloistered group of historians called St. Mary’s Institute of Historical Research.

After Farway Gaius McCarthy fails his final examination at the Central Time Travelers Academy, he puts together a rogue time travel crew to swipe valuable artifacts from the past at moments when they won’t be missed. And it’s all roses until a mysterious girl sidetracks them on the Titanic and steers them into a multiverse of fading timelines.

As you might guess, we enjoyed Far and his friends, but the thing that sealed an Eloi Bronze Medal was the fact that when a particular timeline actually managed to branch (not an easy feat) and the traveler then jumped to the future, she found her another self—the her that was born on that timeline—waiting for her. Most branching timeline stories ignore this issue entirely.

As a hostage to Pope Julius II in 1511 Rome, 11-year-old Federico is lonely until he receives a visit from a tawny cat, an art collector from the 20th century, and an 11-year-old kid named Bee from the 21st century.