Unlike Philip K. Dick’s story of the same name, the film has only viewing the future rather than physical time travel such as the story’s time scoop’s retrieval capability. Also, the film omits Dick’s dystopian police state and his theme of fate via what appears (in the story) to be a single static timeline. On the other side of the coin, the filmmakers made an epic car chase scene, took Jenning’s female sidekick off the sidelines, and attempted to massively raise the stakes via some questionable choices by Jennings.