The cinematic vision of writer/director
Seth Larney was beyond his
grasp in this story of a
Philip K. Dick-esque future where all
plant life has been killed off, an evil corporation has cornered the market in artificial
oxygen, and a lowly utility worker with a dying wife is called four centuries into the future
by a successfully executed
causal loop accompanied by the usual kind
of unexplained
skeleton timeline.
— Michael Main