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Twember

by Steve Rasnic Tem

On the plains of eastern Colorado, Will Cotton and his family deal resignedly with the great escarpments sweeping through the world, like the wall of an enormous time-al wave, lifting artifacts and flashes of people from one era to another in a way that is a metaphor for shifting perspectives as you age.

Steve Rasnic Tem and Melanie Tem were the writers-in-residence at the 2014 Odyssey Writers Workshop which I attended with many wonderful students and two remarkable writers-in-residence. Melanie died the following spring, and we all miss her wisdom and kindness greatly.

Trapped in most of these layers were visible figures—some of them blurred, but some of them so clear and vivid that when they were looking in his direction, as if from a wide window in the side of a building, he attempted to gain their attention by waving. None responded in any definitive way, although here and there the possibility that they might have seen him certainly seemed to be there.

The vast majority of these figures appeared to be ordinary people engaged in ordinary activities—fixing or eating dinner, housecleaning, working in offices, factories, on farms—but occasionally he’d see something indicating that an unusual event was occurring or had recently occurred. A man lying on his back, people gathered around, some attending to the fallen figure but most bearing witness. A couple being chased by a crowd. A woman in obvious anguish, screaming in a foreign language. A blurred figure in freefall from a tall building.

DEBUT
“Twember,” in Interzone, March/April 2012.
VARIANTS
1 English variant
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